ꯃꯍꯥꯗꯦꯕꯤ

ꯃꯍꯥꯗꯦꯕꯤ ꯅꯠꯇ꯭ꯔꯒ ꯃꯍꯥꯗꯦꯋꯤ ꯑꯁꯤ ꯍꯤꯟꯗꯨꯒꯤ ꯃꯇꯤꯛ ꯂꯩꯕꯤ ꯂꯥꯢꯔꯦꯝꯕꯤ ꯏꯃꯥꯅꯤ꯫ ꯃꯍꯥꯛ ꯑꯁꯤ ꯃꯍꯥꯗꯦꯕꯀꯤ ꯅꯨꯄꯤꯅꯤ꯫

ꯃꯍꯥꯗꯦꯕꯤ ꯑꯁꯤ ꯍꯤꯟꯗꯨ ꯊꯥꯖꯕꯗꯥ ꯑꯆꯧꯕꯥ ꯗꯦꯕꯤꯅꯤ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯀꯄꯨ ꯌꯨꯅꯤꯚꯔꯁꯀꯤ ꯑꯊꯣꯏꯕꯥ ꯃꯃꯥ ꯑꯣꯏꯅꯥ ꯎꯕꯥ ꯐꯪꯏ꯫ “ꯃꯍꯥꯗꯦꯕꯤ” ꯍꯥꯌꯕꯥ ꯋꯥꯍꯩ ꯑꯁꯤꯒꯤ ꯑꯔꯊꯗꯤ “ꯑꯆꯧꯕꯥ ꯏꯁ꯭ꯕꯔ” ꯍꯥꯌꯕꯅꯤ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛ ꯑꯁꯤ ꯃꯥꯂꯦꯃꯗꯥ ꯂꯩꯔꯤꯕꯥ ꯁꯛꯇꯤ, ꯅꯨꯡꯁꯤꯕꯥ ꯑꯃꯁꯨꯡ ꯁꯦꯝꯕꯤꯕꯥ ꯃꯄꯨ ꯄꯨꯝꯅꯃꯛꯀꯤ ꯍꯧꯔꯀꯐꯝꯅꯤ ꯍꯥꯌꯅꯥ ꯊꯥꯖꯅꯩ꯫ ꯃꯤꯌꯥꯝꯅꯥ ꯃꯍꯥꯗꯦꯕꯤꯕꯨ ꯗꯨꯔꯒꯥ, ꯂꯛꯁ꯭ꯃꯤ, ꯁꯔꯁ꯭ꯕꯇꯤꯒꯨꯝꯕꯥ ꯃꯑꯣꯡ ꯀꯌꯥꯗꯥ ꯈꯨꯔꯨꯃꯖꯩ, ꯑꯗꯨꯕꯨ ꯃꯑꯣꯡ ꯄꯨꯝꯅꯃꯛ ꯑꯁꯤ ꯆꯞ ꯃꯥꯟꯅꯕꯥ ꯗꯤꯕ꯭ꯌ ꯃꯥꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯅꯤ ꯍꯥꯌꯅꯥ ꯃꯈꯣꯌꯅꯥ ꯊꯥꯖꯩ꯫ ꯃꯍꯥꯗꯦꯕꯤ ꯑꯁꯤ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯕꯥ, ꯃꯆꯥꯁꯤꯡꯕꯨ ꯉꯥꯀꯄꯤꯕꯥ ꯃꯃꯥ ꯑꯃꯒꯨꯝ, ꯑꯗꯨꯕꯨ ꯃꯍꯥꯛ ꯃꯄꯥꯉ꯭ꯒꯜ ꯀꯅꯕꯥ ꯑꯃꯁꯨꯡ ꯁꯛꯇꯤ ꯂꯩꯕꯥ, ꯐꯠꯇꯕꯥ ꯃꯥꯡꯍꯟ ꯇꯥꯀꯍꯅꯕꯥ ꯉꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯥꯂꯦꯝ ꯑꯁꯤꯗꯥ ꯕꯦꯂꯦꯟꯁ ꯊꯝꯕꯥ ꯉꯝꯕꯥ ꯃꯤꯁꯛ ꯑꯃꯅꯤ꯫ ꯋꯥꯔꯤ ꯀꯌꯥꯅꯥ ꯃꯍꯥꯛꯅꯥ ꯃꯇꯧ ꯀꯔꯝꯅꯥ ꯂꯥꯏꯅꯤꯡꯊꯧꯁꯤꯡꯒꯥ ꯂꯥꯟꯊꯦꯡꯅꯈꯤꯕꯒꯦ ꯑꯃꯁꯨꯡ ꯏꯁ꯭ꯕꯔ ꯑꯃꯁꯨꯡ ꯃꯤꯑꯣꯏꯕꯕꯨ ꯈꯨꯗꯣꯡꯊꯤꯕꯥ ꯊꯣꯀꯄꯗꯒꯤ ꯀꯅꯕꯤꯈꯤꯕꯒꯦ ꯍꯥꯌꯕꯗꯨ ꯐꯣꯡꯗꯣꯛꯂꯤ꯫ ꯋꯥꯔꯤꯁꯤꯡ ꯑꯁꯤꯅꯥ ꯃꯍꯥꯛ ꯑꯆꯨꯝꯕꯥ, ꯊꯧꯅꯥ ꯑꯃꯁꯨꯡ ꯑꯆꯨꯝꯕꯥ ꯋꯥꯌꯦꯂꯒꯤꯗꯃꯛ ꯂꯦꯞꯂꯤ ꯍꯥꯌꯕꯥ ꯎꯠꯂꯤ꯫ ꯃꯇꯝ ꯑꯗꯨꯃꯛꯇꯗꯥ ꯃꯍꯥꯗꯦꯕꯤꯅꯥ ꯐꯖꯕꯥ, ꯂꯧꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯅꯨꯡꯉꯥꯏ-ꯌꯥꯏꯐꯕꯁꯨ ꯔꯤꯞꯔꯖꯦꯟꯇ ꯇꯧꯔꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯃꯍꯩꯔꯣꯏꯁꯤꯡꯗꯥ ꯂꯧꯁꯤꯡ ꯄꯤꯔꯤ, ꯏꯃꯨꯡꯁꯤꯡꯗꯥ ꯂꯟ-ꯊꯨꯝ ꯄꯤꯔꯤ ꯑꯃꯁꯨꯡ ꯋꯥꯈꯜ ꯋꯥꯕꯥ ꯅꯠꯔꯒꯥ ꯂꯥꯡꯇꯛꯅꯔꯤꯕꯥ ꯃꯤꯑꯣꯏꯁꯤꯡꯗꯥ ꯄꯥꯉ꯭ꯒꯜ ꯄꯤꯔꯤ꯫ ꯏꯆꯝ ꯆꯝꯕꯥ ꯋꯥꯍꯟꯊꯣꯛ ꯑꯃꯗꯥ ꯍꯥꯌꯔꯕꯗꯥ, ꯃꯍꯥꯛ ꯑꯁꯤ ꯄꯨꯟꯁꯤꯕꯨ ꯆꯥꯎꯈꯠꯍꯅꯕꯗꯥ ꯑꯃꯁꯨꯡ ꯍꯦꯟꯅꯥ ꯐꯒꯠꯍꯅꯕꯗꯥ ꯃꯇꯦꯡ ꯄꯥꯡꯂꯤꯕꯥ ꯄꯨꯝꯅꯃꯛꯅꯤ꯫ ꯚꯛꯇꯁꯤꯡꯅꯥ ꯂꯥꯏꯁꯉꯁꯤꯡꯗꯥ ꯑꯃꯁꯨꯡ ꯌꯨꯃꯗꯥ ꯃꯍꯥꯀꯄꯨ ꯐꯨꯜ, ꯃꯅꯥ-ꯃꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯃꯆꯤꯟꯖꯥꯛ ꯄꯤꯗꯨꯅꯥ ꯊꯧꯅꯤꯖꯔꯤ ꯑꯃꯁꯨꯡ ꯃꯈꯣꯌꯅꯥ ꯃꯍꯥꯀꯄꯨ ꯊꯥꯒꯠꯄꯥ ꯐꯣꯡꯗꯣꯛꯂꯗꯨꯅꯥ ꯏꯁꯩ ꯁꯀꯏ꯫ ꯅꯕꯔꯥꯠꯔꯤꯒꯨꯝꯕꯥ ꯀꯨꯝꯃꯩꯁꯤꯡ ꯑꯁꯤ ꯃꯔꯨꯑꯣꯏꯅꯥ ꯃꯔꯨꯑꯣꯏ, ꯃꯗꯨꯗꯥ ꯃꯤꯌꯥꯝꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯇꯣꯉꯥꯟ ꯇꯣꯉꯥꯅꯕꯥ ꯃꯑꯣꯡ ꯃꯇꯧꯁꯤꯡ ꯑꯗꯨ ꯅꯨꯃꯤꯠ ꯅꯤꯅꯤꯒꯤ ꯑꯣꯏꯅꯥ ꯍꯔꯥꯑꯣꯕꯥ ꯑꯃꯁꯨꯡ ꯚꯛꯇꯤꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯄꯥꯡꯊꯣꯀꯏ꯫ ꯃꯇꯝ ꯑꯁꯤꯒꯤ ꯃꯅꯨꯡꯗꯥ ꯃꯤꯌꯥꯝꯅꯥ ꯔꯣꯖꯥ, ꯅꯥꯠ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯋꯥꯔꯤꯁꯤꯡ ꯅꯤꯡꯁꯤꯡꯗꯨꯅꯥ ꯃꯈꯣꯌꯒꯤ ꯅꯨꯡꯁꯤꯕꯥ ꯑꯃꯁꯨꯡ ꯏꯀꯥꯌꯈꯨꯝꯅꯕꯥ ꯎꯠꯂꯤ꯫ ꯃꯍꯥꯗꯦꯕꯤ ꯑꯁꯤ ꯃꯄꯥꯟꯗꯥ ꯏꯁ꯭ꯕꯔ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯈꯨꯔꯨꯃꯖꯕꯇꯥ ꯅꯠꯇꯅꯥ ꯃꯤꯑꯣꯏ ꯈꯨꯗꯤꯡꯃꯛꯀꯤ ꯃꯅꯨꯡꯗꯥ ꯅꯨꯡꯒꯤ ꯑꯣꯏꯕꯥ ꯄꯥꯉ꯭ꯒꯜ ꯑꯃꯁꯨꯡ ꯑꯐꯕꯥ ꯑꯣꯏꯅꯥ ꯍꯤꯡꯏ ꯍꯥꯌꯅꯥ ꯊꯥꯖꯅꯔꯤ꯫ ꯃꯁꯤꯒꯤ ꯋꯥꯈꯜꯂꯣꯟ ꯑꯁꯤꯅꯥ ꯃꯤꯑꯣꯏꯁꯤꯡꯕꯨ ꯃꯈꯣꯌꯒꯤ ꯅꯨꯡꯇꯤꯒꯤ ꯄꯨꯟꯁꯤꯗꯥ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯕꯥ, ꯊꯧꯅꯥ ꯐꯕꯥ ꯑꯃꯁꯨꯡ ꯄꯨꯀꯆꯦꯜ ꯁꯦꯡꯕꯥ ꯇꯝꯕꯤꯔꯤ꯫ ꯅꯨꯄꯤ ꯀꯌꯥꯅꯥ ꯃꯍꯥꯗꯦꯕꯤꯕꯨ ꯁꯛꯇꯤ ꯑꯃꯁꯨꯡ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯕꯒꯤ ꯃꯁꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯎꯏ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯅꯥ ꯃꯈꯣꯌꯗꯥ ꯊꯥꯖꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯄꯥꯉ꯭ꯒꯜ ꯀꯅꯕꯥ ꯉꯝꯅꯕꯥ ꯏꯊꯤꯜ ꯄꯤꯔꯤ꯫ ꯅꯨꯄꯥꯁꯤꯡꯅꯁꯨ ꯃꯍꯥꯀꯄꯨ ꯅꯨꯄꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯧꯁꯥꯕꯨ ꯏꯀꯥꯌ ꯈꯨꯝꯅꯕꯥ ꯇꯝꯕꯤꯕꯥ ꯂꯃꯖꯤꯡꯕꯤꯕꯥ ꯃꯤꯁꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯌꯦꯡꯏ꯫ ꯈꯨꯉ꯭ꯒꯪꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯁꯍꯔꯁꯤꯡꯗꯥ ꯃꯍꯥꯛꯀꯤ ꯂꯩꯐꯝ ꯑꯁꯤ ꯅꯨꯃꯤꯠ ꯈꯨꯗꯤꯡꯒꯤ ꯄ꯭ꯔꯥꯔꯊꯅꯥ ꯑꯃꯁꯨꯡ ꯆꯠꯅꯕꯤꯁꯤꯡꯗꯥ ꯐꯥꯑꯣꯏ꯫ ꯃꯤꯑꯣꯏ ꯀꯌꯥꯒꯤ ꯑꯣꯏꯅꯗꯤ ꯃꯍꯥꯗꯦꯕꯤ ꯑꯁꯤ ꯏꯁ꯭ꯕꯔ ꯈꯛꯇꯥ ꯅꯠꯇꯅꯥ ꯃꯈꯣꯌꯒꯤ ꯈꯨꯗꯣꯡꯆꯥꯗꯕꯁꯤꯡ ꯇꯥꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯋꯥꯕꯥ ꯇꯥꯔꯕꯥ ꯃꯇꯃꯗꯥ ꯃꯇꯦꯡ ꯄꯥꯡꯂꯤꯕꯥ ꯃꯃꯥ ꯑꯃꯅꯤ꯫ ꯃꯈꯣꯌꯅꯥ ꯊꯥꯖꯩ ꯃꯗꯨꯗꯤ ꯃꯍꯥꯛꯅꯥ ꯑꯁꯣꯏꯕꯁꯤꯡ ꯃꯥꯡꯍꯜꯂꯤ ꯑꯃꯁꯨꯡ ꯑꯅꯧꯕꯥ ꯑꯥꯁꯥ ꯑꯃꯥ ꯄꯤꯔꯤ꯫ ꯃꯣꯗꯔꯟ ꯇꯥꯏꯃꯗꯥ ꯃꯍꯥꯛꯀꯤ ꯄꯥꯎꯖꯦꯜ ꯑꯁꯤ ꯍꯧꯖꯤꯀꯁꯨ ꯃꯔꯨ ꯑꯣꯏꯔꯤ ꯃꯔꯃꯗꯤ ꯃꯁꯤꯅꯥ ꯃꯤꯌꯥꯃꯗꯥ ꯅꯨꯡꯁꯤꯕꯥ, ꯁꯥꯟꯇꯤ ꯑꯃꯁꯨꯡ ꯊꯧꯅꯥꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯍꯤꯡꯅꯕꯥ ꯅꯤꯡꯁꯤꯡꯍꯜꯂꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯇꯥꯀꯄꯤꯔꯤ ꯃꯗꯨꯗꯤ ꯀꯔꯤꯒꯨꯝꯕꯥ ꯃꯤꯌꯥꯝꯅꯥ ꯃꯈꯣꯌꯒꯤ ꯚꯦꯜꯌꯨꯁꯤꯡꯗꯥ ꯊꯥꯖꯕꯥ ꯊꯃꯂꯕꯗꯤ ꯑꯐꯕꯥ ꯃꯇꯝ ꯄꯨꯝꯅꯃꯛꯇꯥ ꯐꯠꯇꯕꯁꯤꯡꯕꯨ ꯃꯥꯏ ꯄꯥꯀꯍꯅꯒꯅꯤ꯫ ꯂꯣꯏꯁꯤꯜꯂꯀꯄꯗꯥ, ꯃꯍꯥꯗꯦꯕꯤ ꯑꯁꯤ ꯃꯥꯂꯦꯝ ꯑꯁꯤꯕꯨ ꯁꯦꯃꯒꯠꯂꯤꯕꯥ, ꯉꯥꯀꯄꯤꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯍꯣꯡꯕꯥ ꯄꯨꯔꯀꯄꯥ ꯑꯆꯧꯕꯥ ꯏꯃꯥꯅꯤ꯫ ꯃꯍꯥꯛ ꯑꯁꯤ ꯄꯣꯖꯤꯇꯤꯕ ꯑꯣꯏꯕꯥ ꯃꯒꯨꯟ ꯄꯨꯝꯅꯃꯛꯀꯤ ꯃꯁꯛ ꯑꯃꯅꯤ ꯑꯃꯁꯨꯡ ꯃꯤꯑꯣꯏ ꯂꯥꯈ ꯀꯌꯥꯒꯤ ꯏꯟꯁꯄꯤꯔꯦꯁꯅꯒꯤ ꯍꯧꯔꯀꯐꯝ ꯑꯃꯅꯤ꯫ ꯃꯍꯥꯛꯀꯤ ꯋꯥꯔꯤꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯇꯝꯕꯤꯕꯥ ꯑꯁꯤꯅꯥ ꯃꯤꯁꯤꯡꯕꯨ ꯍꯦꯟꯅꯥ ꯐꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯔꯊ ꯂꯩꯕꯥ ꯄꯨꯟꯁꯤ ꯑꯃꯒꯤ ꯃꯥꯌꯀꯩꯗꯥ ꯃꯈꯥ ꯇꯥꯅꯥ ꯂꯃꯖꯤꯡꯕꯤꯔꯤ꯫^[꯱]^[꯲]^[꯳]

ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ

↑ Chitgopekar, Nilima (2021). Shakti An exploration of the divine feminine. DK India. ISBN 978-9388372992.
↑ Brown, C. Mackenzie (1990). The Triumph of the Goddess: The Canonical Models and Theological Visions of the Devi-Bhagavata Purana. State University of New York Press. ISBN 978-0791403648.
↑ Brown, C. Mackenzie (1998). The Devī Gītā: The Song of the Goddess: A Translation, Annotation, and Commentary. State University of New York Press. ISBN 978-0791439401.

[1] Chitgopekar, Nilima (2021). Shakti An exploration of the divine feminine. DK India. ISBN 978-9388372992.

[2] Brown, C. Mackenzie (1990). The Triumph of the Goddess: The Canonical Models and Theological Visions of the Devi-Bhagavata Purana. State University of New York Press. ISBN 978-0791403648.

[3] Brown, C. Mackenzie (1998). The Devī Gītā: The Song of the Goddess: A Translation, Annotation, and Commentary. State University of New York Press. ISBN 978-0791439401.

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