ꯋꯤꯜꯂꯤꯌꯝ ꯁꯦꯛꯁ꯭ꯄꯤꯌꯔ
(ꯋꯤꯂꯤꯌꯝ ꯁꯦꯛꯁ꯭ꯄꯤꯌꯔ ꯗꯒꯤ ꯑꯃꯨꯛꯍꯟꯂꯛꯄ)
ꯋꯤꯜꯂꯤꯌꯝ ꯁꯦꯛꯁ꯭ꯄꯤꯌꯔ | |
|---|---|
 The Chandos portrait (held by the National Portrait Gallery, London) | |
| ꯄꯣꯛꯄ | ꯁ꯭ꯇ꯭ꯔꯥꯠꯐꯔꯗ-ꯑꯄꯣꯟ-ꯑꯦꯚꯣꯟ, England |
| ꯂꯥꯢꯃꯤꯡ ꯂꯧꯕs | ꯱꯵꯶꯴ ꯑꯦꯄ꯭ꯔꯤꯜ ꯲꯶ |
| ꯂꯩꯈꯤꯗꯕ | ꯱꯶꯱꯶ ꯑꯦꯄ꯭ꯔꯤꯜ ꯲꯳ (ꯆꯩꯍꯤ ꯵꯲) ꯁ꯭ꯇ꯭ꯔꯥꯠꯐꯔꯗ-ꯑꯄꯣꯟ-ꯑꯦꯚꯣꯟ, ꯏꯪꯂꯦꯟ |
| ꯄꯣꯊꯥꯈꯤꯕ ꯃꯐꯝ | Church of the Holy Trinity, Stratford-upon-Avon |
| ꯁꯤꯟꯐꯝ |
|
| ꯁꯔꯨꯛꯌꯥꯈꯠꯂꯛꯂꯤꯕ ꯆꯩꯍꯤ | c. 1585–1613 |
| ꯃꯇꯝ | |
| ꯈꯣꯡꯍꯧ-ꯏꯍꯧ | English Renaissance |
| ꯃꯇꯩ ꯃꯅꯥꯎ | |
| ꯑꯉꯥꯡꯁꯤꯡ | |
| ꯃꯄꯥ-ꯃꯃꯥ(s) |
|
 | |
ꯋꯤꯜꯂꯤꯌꯝ ꯁꯦꯛꯁ꯭ꯄꯤꯌꯔ (William Shakespeare) (bapt. ꯱꯵꯶꯴ ꯑꯦꯄ꯭ꯔꯤꯜ ꯲꯶ – ꯱꯶꯱꯶ ꯑꯦꯄ꯭ꯔꯤꯜ ꯲꯳) ꯑꯁꯤ ꯏꯪꯂꯦꯟ ꯂꯩꯄꯥꯛꯄꯤ ꯑꯣꯏꯅ ꯈꯨꯋꯥꯏꯗꯒꯤ ꯑꯐꯥꯎꯕ ꯁꯩꯔꯦꯡ ꯏꯕ, ꯐꯝꯄꯥꯛ ꯀꯨꯝꯍꯩ ꯏꯕ ꯑꯃꯁꯨꯡ ꯋꯥꯔꯤ-ꯂꯤꯁꯥꯡ ꯏꯕ ꯃꯤꯑꯣꯏꯅꯤ ꯫[꯱][lower-alpha ꯱] ꯃꯍꯥꯛꯅ ꯏꯗꯨꯅ ꯊꯝꯂꯝꯕ ꯊꯧꯗꯥꯡꯁꯤꯡ ꯐꯝꯄꯥꯛ ꯀꯨꯝꯍꯩ ꯳꯹,[lower-alpha ꯲] ꯁꯩꯔꯦꯡ ꯑꯇꯦꯟꯕ ꯱꯵꯴, ꯑꯁꯥꯡꯕ ꯋꯥꯔꯤꯂꯤꯕ-ꯁꯩꯔꯦꯡ ꯳, ꯱ꯁꯨꯡ ꯑꯏꯕ ꯃꯄꯨ ꯑꯇꯩ ꯁꯩꯔꯦꯡ ꯈꯔꯥ ꯫ ꯃꯍꯥꯛꯀꯤ ꯐꯝꯄꯥꯛ ꯀꯨꯝꯍꯩꯁꯤꯡ ꯑꯁꯤ ꯑꯍꯤꯡꯕ ꯂꯣꯟꯁꯤꯡꯗ ꯍꯟꯗꯣꯛꯇꯨꯅ ꯌꯥꯝꯅ ꯄꯥꯝꯅ ꯁꯥꯟꯅꯕ ꯐꯝꯄꯥꯛ ꯀꯨꯝꯍꯩ ꯑꯣꯏꯔꯤ ꯃꯥꯂꯦꯝꯁꯤꯟꯕꯊꯨꯡꯅ ꯫[꯳]
ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ
[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]- ↑ Dobson 1992, pp. 185–186.
- ↑ McIntyre 1999, pp. 412–432.
- ↑ Craig 2003, p. 3.
- ↑ The "national cult" of Shakespeare, and the "bard" identification, dates from September 1769, when the actor David Garrick organised a week-long carnival at Stratford to mark the town council awarding him the freedom of the town. In addition to presenting the town with a statue of Shakespeare, Garrick composed a doggerel verse, lampooned in the London newspapers, naming the banks of the Avon as the birthplace of the "matchless Bard".[꯲]
- ↑ The exact figures are unknown. See Shakespeare's collaborations and Shakespeare Apocrypha for further details.
<ref> tags exist for a group named "lower-alpha", but no corresponding <references group="lower-alpha"/> tag was found