ꯔꯥꯕꯅꯥꯅꯨꯒ꯭ꯔꯍ

ꯔꯥꯕꯅꯥꯅꯨꯒ꯭ꯔꯍ ꯑꯁꯤ ꯍꯤꯟꯗꯨꯒꯤ ꯂꯥꯢꯅꯨꯄꯥ ꯑꯃꯅꯤ ꯫ ꯔꯥꯕꯅꯅꯨꯒ꯭ꯔꯍ ꯑꯁꯤ ꯍꯤꯟꯗꯨꯒꯤ ꯋꯥꯔꯤꯗꯒꯤ ꯃꯃꯤꯡ ꯆꯠꯂꯕꯥ ꯋꯥꯔꯤ ꯑꯃꯅꯤ, ꯃꯁꯤꯅꯥ ꯃꯇꯧ ꯀꯔꯝꯅꯥ ꯁꯛꯇꯤ ꯂꯩꯕꯥ ꯏꯁ꯭ꯕꯔꯁꯤꯡꯅꯥ ꯃꯇꯝ ꯑꯃꯗꯥ ꯆꯩꯔꯥꯛ ꯄꯤꯕꯥ ꯑꯃꯁꯨꯡ ꯊꯧꯖꯥꯜ ꯄꯤꯕꯥ ꯉꯝꯕꯒꯦ ꯍꯥꯌꯕꯗꯨ ꯎꯠꯂꯤ꯫ ꯋꯥꯔꯤ ꯑꯁꯤ ꯚꯥꯔꯇꯀꯤ ꯈ꯭ꯕꯥꯏꯗꯒꯤ ꯑꯊꯣꯏꯕꯥ ꯏꯄꯤꯀꯁꯤꯡꯒꯤ ꯃꯅꯨꯡꯗꯥ ꯑꯃꯥ ꯑꯣꯏꯔꯤꯕꯥ ꯔꯥꯃꯥꯌꯅꯗꯒꯤ ꯂꯥꯀꯄꯅꯤ꯫ ꯔꯥꯕꯅꯅꯨꯒ꯭ꯔꯍ ꯍꯥꯌꯕꯁꯤ ꯌꯥꯝꯅꯥ ꯐꯠꯇꯕꯥ ꯅꯤꯡꯊꯧ ꯑꯣꯏꯔꯕꯁꯨ “ꯔꯥꯕꯅꯕꯨ ꯊꯧꯖꯥꯜ ꯄꯤꯕꯤꯕꯥ” ꯅꯠꯔꯒꯥ “ꯔꯥꯕꯅꯕꯨ ꯊꯧꯖꯥꯜ ꯄꯤꯕꯤꯕꯥ” ꯍꯥꯌꯕꯅꯤ꯫ ꯔꯥꯕꯟ ꯑꯁꯤ ꯂꯉ꯭ꯀꯥꯒꯤ ꯅꯤꯡꯊꯧꯅꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛ ꯌꯥꯝꯅꯥ ꯃꯄꯥꯉ꯭ꯒꯜ ꯀꯅꯕꯥ, ꯂꯧꯁꯤꯡ ꯂꯩꯕꯥ, ꯕꯦꯗ ꯑꯃꯁꯨꯡ ꯃꯦꯖꯤꯛ ꯇꯝꯕꯥ ꯃꯤꯁꯛ ꯑꯃꯅꯤ꯫ ꯑꯗꯨꯕꯨ ꯃꯍꯥꯛ ꯌꯥꯝꯅꯥ ꯆꯥꯎꯊꯣꯀꯆꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯍꯜ ꯑꯣꯏꯔꯃꯏ꯫ ꯃꯍꯥꯛ ꯏꯁ꯭ꯕꯔꯗꯒꯤ ꯍꯦꯟꯅꯥ ꯄꯥꯉ꯭ꯒꯜ ꯂꯩ ꯍꯥꯌꯅꯥ ꯈꯜꯂꯝꯃꯤ ꯑꯃꯁꯨꯡ ꯃꯈꯣꯌꯕꯨ ꯃꯥꯏꯊꯤꯕꯥ ꯄꯤꯕꯥ ꯄꯥꯃꯈꯤ꯫ ꯃꯇꯝ ꯑꯃꯗꯥ ꯔꯥꯕꯅꯥ ꯍꯤꯟꯗꯨ ꯙꯔꯝꯃꯒꯤ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯏꯁ꯭ꯕꯔ ꯑꯃꯥ ꯑꯣꯏꯔꯤꯕꯥ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯕꯨ ꯂꯥꯟꯗꯥꯕꯥ ꯄꯥꯃꯈꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯀꯤ ꯃꯌꯨꯝ ꯑꯣꯏꯔꯤꯕꯥ ꯃꯥꯎꯟꯇ ꯀꯩꯂꯥꯁꯄꯨ ꯂꯧꯊꯣꯀꯄꯥ ꯄꯥꯃꯈꯤ꯫ ꯔꯥꯕꯅꯥ ꯇꯨꯔꯦꯜ ꯑꯁꯤ ꯂꯧꯊꯣꯛꯅꯕꯥ ꯌꯥꯝꯅꯥ ꯀꯟꯅꯥ ꯍꯣꯠꯅꯈꯤ꯫ ꯑꯗꯨꯕꯨ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯅꯥ ꯇꯨꯔꯦꯜ ꯑꯗꯨ ꯃꯍꯥꯛꯀꯤ ꯈꯣꯉꯎꯞ ꯑꯗꯨꯅꯥ ꯊꯨꯒꯥꯏꯈꯤ, ꯑꯗꯨꯒꯥ ꯔꯥꯕꯅꯥ ꯃꯗꯨ ꯂꯧꯊꯣꯀꯄꯥ ꯉꯃꯈꯤꯗꯦ꯫ ꯃꯍꯥꯛ ꯁꯤꯕꯀꯥ ꯃꯥꯟꯅꯕꯥ ꯑꯃꯠꯇꯥ ꯂꯩꯇꯦ ꯍꯥꯌꯕꯥ ꯈꯉꯂꯗꯨꯅꯥ ꯔꯥꯕꯅꯥ ꯄꯨꯀꯆꯦꯜ ꯁꯦꯡꯅꯥ ꯄ꯭ꯔꯥꯔꯊꯅꯥ ꯇꯧꯕꯥ ꯍꯧꯈꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯇꯥ ꯊꯧꯖꯥꯜ ꯑꯃꯁꯨꯡ ꯊꯧꯖꯥꯜ ꯄꯤꯕꯤꯅꯕꯥ ꯍꯥꯌꯖꯈꯤ꯫ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯅꯥ ꯆꯥꯎꯊꯣꯀꯆꯕꯥ ꯐꯥꯑꯣꯔꯕꯁꯨ ꯔꯥꯕꯅꯒꯤ ꯚꯛꯇꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯋꯥꯔꯦꯞ ꯑꯗꯨꯗꯥ ꯅꯨꯡꯉꯥꯏꯕꯥ ꯐꯥꯑꯣꯈꯤ꯫ ꯁꯤꯕꯅꯥ ꯔꯥꯕꯅꯕꯨ ꯃꯥꯡꯍꯟ ꯇꯥꯀꯍꯅꯈꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯀꯄꯨ ꯁꯛꯇꯤ ꯂꯩꯔꯕꯥ ꯈꯨꯠꯂꯥꯏꯁꯤꯡ, ꯖ꯭ꯅꯥꯟ ꯑꯃꯁꯨꯡ ꯕꯔꯅꯁꯤꯡ ꯄꯤꯈꯤ꯫ ꯋꯥꯔꯤ ꯑꯁꯤꯅꯥ ꯑꯩꯈꯣꯌꯗꯥ ꯇꯥꯀꯄꯤꯔꯤ ꯃꯗꯨꯗꯤ ꯐꯠꯇꯕꯥ ꯃꯒꯨꯟ ꯂꯩꯕꯥ ꯃꯤꯑꯣꯏ ꯑꯃꯅꯥ ꯐꯥꯑꯣꯕꯥ ꯏꯁ꯭ꯕꯔꯗꯥ ꯑꯆꯨꯝꯕꯥ ꯚꯛꯇꯤ ꯑꯃꯁꯨꯡ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯕꯥ ꯎꯠꯂꯕꯗꯤ ꯊꯧꯖꯥꯜ ꯐꯪꯒꯅꯤ꯫ ꯔꯥꯕꯅꯅꯨꯒ꯭ꯔꯍꯅꯥ ꯃꯁꯤꯃꯁꯨ ꯍꯥꯌꯔꯤ ꯃꯗꯨꯗꯤ ꯆꯥꯎꯊꯣꯀꯆꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯄꯥꯝꯕꯥ ꯑꯁꯤꯅꯥ ꯈꯨꯗꯣꯡꯊꯤꯕꯥ ꯊꯣꯀꯍꯅꯕꯥ ꯌꯥꯏ, ꯑꯗꯨꯕꯨ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯚꯛꯇꯤꯅꯥ ꯉꯥꯀꯊꯣꯀꯄꯥ ꯑꯃꯁꯨꯡ ꯁꯛꯇꯤ ꯄꯨꯔꯀꯄꯥ ꯉꯝꯃꯤ꯫ ꯑꯥꯔꯇꯤꯁ꯭ꯇꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯁ꯭ꯀꯜꯄꯆꯔꯁꯤꯡꯅꯥ ꯋꯥꯔꯤ ꯑꯁꯤ ꯚꯥꯔꯇꯀꯤ ꯂꯥꯏꯁꯉ ꯀꯌꯥꯗꯥ ꯎꯠꯈ꯭ꯔꯦ꯫ ꯃꯃꯤꯡ ꯂꯩꯔꯕꯥ ꯁꯛꯇꯝ ꯑꯃꯅꯥ ꯔꯥꯕꯅꯥ ꯃꯊꯛꯇꯥ ꯅꯤꯡꯊꯤꯖꯅꯥ ꯐꯃꯗꯨꯅꯥ ꯂꯩꯕꯥ ꯀꯩꯂꯥꯁ ꯇꯨꯔꯦꯜ ꯑꯗꯨ ꯋꯥꯡꯈꯠꯍꯜꯂꯤ, ꯑꯃꯁꯨꯡ ꯁꯤꯕꯅꯥ ꯇꯨꯔꯦꯜ ꯑꯗꯨ ꯈꯣꯡꯅꯥ ꯆꯦꯅꯁꯤꯜꯂꯀꯄꯥ ꯎꯕꯥ ꯐꯪꯏ꯫ ꯃꯁꯤꯒꯤ ꯊꯧꯗꯣꯛ ꯑꯁꯤꯕꯨ ꯑꯥꯔꯠ ꯑꯃꯁꯨꯡ ꯁ꯭ꯀꯜꯄꯆꯔꯗꯥ “ꯔꯥꯕꯅꯅꯨꯒ꯭ꯔꯍ” ꯍꯥꯌꯅꯥ ꯀꯧꯏ꯫ ꯃꯤꯌꯥꯝꯅꯁꯨ ꯋꯥꯔꯤ ꯑꯁꯤꯕꯨ ꯚꯛꯇꯤ, ꯊꯧꯅꯥ ꯑꯃꯁꯨꯡ ꯏꯁ꯭ꯕꯔꯒꯤ ꯊꯧꯖꯥꯂꯒꯤ ꯄꯥꯉ꯭ꯒꯂꯒꯤ ꯃꯔꯃꯗꯥ ꯇꯝꯕꯤꯕꯥ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯎꯏ꯫ ꯃꯁꯤꯅꯥ ꯇꯥꯀꯄꯤꯔꯤ ꯃꯗꯨꯗꯤ ꯀꯅꯥꯒꯨꯝꯕꯥ ꯑꯃꯅꯥ ꯀꯌꯥ ꯌꯥꯝꯅꯥ ꯃꯄꯥꯉ꯭ꯒꯜ ꯀꯅꯕꯥ ꯅꯠꯔꯒꯥ ꯂꯧꯁꯤꯡ ꯂꯩꯔꯕꯁꯨ ꯃꯈꯣꯌꯅꯥ ꯃꯇꯝ ꯄꯨꯝꯅꯃꯛꯇꯥ ꯑꯋꯥꯡꯕꯥ ꯁꯛꯇꯤꯁꯤꯡꯕꯨ ꯏꯀꯥꯌ ꯈꯨꯝꯅꯒꯗꯕꯅꯤ ꯑꯃꯁꯨꯡ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯣꯏꯒꯗꯕꯅꯤ꯫ ꯔꯥꯕꯅꯅꯨꯒ꯭ꯔꯍ ꯑꯁꯤ ꯋꯥꯔꯤ ꯀꯌꯥ, ꯂꯥꯏꯔꯤꯛ, ꯑꯃꯁꯨꯡ ꯄꯦꯟꯇꯤꯡ ꯀꯌꯥꯗꯥ ꯄꯥꯉꯊꯣꯀꯏ꯫ ꯉꯁꯤꯁꯨ ꯃꯁꯤꯅꯥ ꯃꯤꯌꯥꯃꯗꯥ ꯏꯆꯝ ꯆꯝꯅꯥ ꯂꯩꯗꯨꯅꯥ ꯃꯈꯣꯌꯒꯤ ꯄꯥꯟꯗꯃꯁꯤꯡꯗꯥ ꯀꯠꯊꯣꯛꯇꯨꯅꯥ ꯂꯩꯅꯕꯥ ꯏꯊꯤꯜ ꯄꯤꯔꯤ꯫ ꯋꯥꯔꯤ ꯑꯁꯤ ꯌꯥꯝꯅꯥ ꯂꯥꯏꯅꯥ ꯈꯉꯕꯥ ꯉꯃꯏ ꯑꯃꯁꯨꯡ ꯁꯛꯇꯤ, ꯑꯍꯣꯡꯕꯥ, ꯚꯛꯇꯤ ꯑꯃꯁꯨꯡ ꯊꯧꯖꯥꯜ ꯄꯤꯕꯒꯤ ꯃꯔꯛꯇꯥ ꯂꯩꯔꯤꯕꯥ ꯕꯦꯂꯦꯟꯁ ꯑꯗꯨ ꯎꯠꯂꯤ꯫ ꯏꯆꯝ ꯆꯝꯕꯥ ꯋꯥꯍꯟꯊꯣꯛ ꯑꯃꯗꯥ ꯍꯥꯌꯔꯕꯗꯥ, ꯔꯥꯕꯅꯅꯨꯒ꯭ꯔꯍ ꯍꯥꯌꯕꯁꯤ ꯑꯆꯧꯕꯥ ꯏꯁ꯭ꯕꯔ ꯑꯃꯥ ꯑꯣꯏꯔꯤꯕꯥ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯅꯥ ꯔꯥꯕꯅꯕꯨ ꯃꯍꯥꯛꯀꯤ ꯆꯥꯎꯊꯣꯀꯆꯕꯒꯤ ꯆꯩꯔꯥꯛ ꯄꯤꯈꯤ ꯑꯗꯨꯕꯨ ꯃꯍꯥꯛꯀꯤ ꯄꯨꯀꯆꯦꯜ ꯁꯦꯡꯕꯥ ꯚꯛꯇꯤꯅꯥ ꯃꯔꯝ ꯑꯣꯏꯗꯨꯅꯥ ꯃꯍꯥꯀꯄꯨꯁꯨ ꯃꯥꯉꯍꯅꯈꯤ ꯍꯥꯌꯕꯁꯤꯅꯤ꯫ ꯏꯆꯝ ꯆꯝꯕꯥ, ꯏꯁ꯭ꯕꯔꯕꯨ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯆꯨꯝꯕꯥ ꯚꯛꯇꯤꯗꯒꯤ ꯐꯪꯂꯀꯄꯥ ꯊꯧꯖꯥꯜ ꯑꯗꯨ ꯇꯃꯖꯕꯒꯤ ꯋꯥꯔꯤꯅꯤ꯫ ꯑꯉꯥꯡꯁꯤꯡ, ꯃꯍꯩꯔꯣꯌꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯑꯍꯂꯁꯤꯡꯅꯥ ꯋꯥꯔꯤ ꯑꯁꯤ ꯌꯥꯝꯅꯥ ꯄꯥꯝꯃꯤ ꯃꯔꯃꯗꯤ ꯃꯁꯤꯅꯥ ꯄꯨꯟꯁꯤꯒꯤ ꯂꯥꯏꯁꯣꯅꯁꯤꯡ ꯑꯁꯤ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯌꯦꯛ ꯁꯦꯡꯕꯥ ꯃꯑꯣꯡꯗꯥ ꯇꯝꯕꯤꯔꯤ꯫ ꯔꯥꯕꯅꯅꯨꯒ꯭ꯔꯍ ꯑꯁꯤ ꯁꯨꯞꯅꯇꯒꯤ ꯃꯤꯇꯝ ꯑꯃꯈꯛꯇꯃꯛ ꯅꯠꯇꯦ ꯑꯗꯨꯕꯨ ꯃꯤꯄꯨꯝ ꯈꯨꯗꯤꯡꯃꯛꯀꯤ ꯂꯃꯆꯠꯀꯤ ꯂꯥꯏꯁꯣꯟ ꯑꯃꯅꯤ, ꯃꯁꯤꯅꯥ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯕꯥ ꯑꯃꯁꯨꯡ ꯚꯛꯇꯤ ꯑꯁꯤ ꯑꯍꯣꯡꯕꯥ ꯑꯃꯁꯨꯡ ꯆꯥꯎꯊꯣꯀꯆꯕꯗꯒꯤ ꯍꯦꯟꯅꯥ ꯃꯄꯥꯉ꯭ꯒꯜ ꯂꯩ ꯍꯥꯌꯕꯥ ꯎꯠꯂꯤ꯫^[꯱]^[꯲]^[꯳]^[꯴]

ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ

↑ Dallapiccola, Anna L. (2003). "Ravananugrahamurti". Dictionary of Hindu Lore and Legend. Thames & Hudson. ISBN 978-0-500-51088-9.
↑ Brown, Robert L. (1991). Ganesh: Studies of an Asian God. Albany: State University of New York. p. 181. ISBN 0-7914-0657-1.
↑ Donaldson, Thomas Eugene (1995). Vyas, R. T. (ed.). Studies in Jaina Art and Iconography and Allied Subjects. Abhinav Publications. p. 170. ISBN 9788170173168.
↑ Huntington, Susan L.; Huntington, John C. (2014-01-01). The Art of Ancient India: Buddhist, Hindu, Jain. Motilal Banarsidass. ISBN 978-81-208-3617-4.

[1] Dallapiccola, Anna L. (2003). "Ravananugrahamurti". Dictionary of Hindu Lore and Legend. Thames & Hudson. ISBN 978-0-500-51088-9.

[2] Brown, Robert L. (1991). Ganesh: Studies of an Asian God. Albany: State University of New York. p. 181. ISBN 0-7914-0657-1.

[3] Donaldson, Thomas Eugene (1995). Vyas, R. T. (ed.). Studies in Jaina Art and Iconography and Allied Subjects. Abhinav Publications. p. 170. ISBN 9788170173168.

[4] Huntington, Susan L.; Huntington, John C. (2014-01-01). The Art of Ancient India: Buddhist, Hindu, Jain. Motilal Banarsidass. ISBN 978-81-208-3617-4.

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