ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤ
ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤ ꯑꯁꯤ ꯍꯤꯟꯗꯨꯒꯤ ꯂꯥꯢꯅꯨꯄꯥ ꯑꯃꯅꯤ꯫ ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤ ꯑꯁꯤ ꯍꯤꯟꯗꯨ ꯙꯔꯝꯃꯗꯥ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯀꯤ ꯌꯥꯝꯅꯥ ꯃꯔꯨ ꯑꯣꯏꯕꯥ ꯃꯑꯣꯡ ꯑꯃꯅꯤ꯫ ꯃꯍꯥꯀꯄꯨ ꯂꯧꯁꯤꯡꯒꯤ ꯑꯊꯣꯏꯕꯥ ꯑꯣꯖꯥ ꯅꯠꯔꯒꯥ ꯒꯨꯔꯨ ꯍꯥꯌꯅꯥ ꯈꯉꯅꯩ꯫ ꯃꯍꯥꯛꯅꯥ ꯂꯧꯁꯤꯡ ꯇꯝꯕꯤꯔꯤ ꯑꯃꯁꯨꯡ ꯋꯥꯈꯂꯗꯒꯤ ꯑꯖ꯭ꯅꯥꯅꯕꯨ ꯂꯧꯊꯣꯀꯏ ꯍꯥꯌꯅꯥ ꯃꯤꯌꯥꯝꯅꯥ ꯊꯥꯖꯩ꯫ “ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤ” ꯍꯥꯌꯕꯥ ꯃꯤꯡ ꯑꯁꯤꯒꯤ ꯑꯔꯊꯗꯤ “ꯈꯥ ꯊꯪꯕꯥ ꯃꯥꯏꯀꯩꯗꯥ ꯌꯦꯡꯂꯤꯕꯥ” ꯍꯥꯌꯕꯅꯤ, ꯃꯔꯃꯗꯤ ꯃꯍꯥꯛ ꯃꯍꯧꯁꯥꯅꯥ ꯂꯥꯏꯁꯉ ꯑꯃꯁꯨꯡ ꯃꯨꯔꯇꯤꯁꯤꯡꯗꯥ ꯈꯥ ꯊꯪꯕꯥ ꯃꯥꯏꯀꯩꯗꯥ ꯌꯦꯡꯏ꯫ ꯃꯍꯥꯛ ꯑꯌꯥꯝꯕꯅꯥ ꯂꯧꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯇꯝꯕꯒꯤ ꯃꯁꯛ ꯑꯃꯥ ꯑꯣꯏꯔꯤꯕꯥ ꯕꯟꯌꯥꯟ ꯎꯄꯥꯜ ꯑꯃꯒꯤ ꯃꯈꯥꯗꯥ ꯐꯃꯗꯨꯅꯥ ꯎꯠꯂꯤ꯫ ꯃꯍꯥꯛꯀꯤ ꯄꯣꯁ꯭ꯇꯨꯔ ꯑꯁꯤ ꯅꯤꯡꯊꯤꯖꯅꯥ ꯑꯃꯁꯨꯡ ꯁꯥꯟꯇꯤ ꯂꯩꯅꯥ, ꯑꯆꯨꯝꯕꯥ ꯂꯧꯁꯤꯡ ꯑꯁꯤ ꯅꯤꯡꯊꯤꯖꯅꯥ ꯑꯃꯁꯨꯡ ꯙ꯭ꯌꯥꯟ ꯇꯧꯕꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯂꯥꯀꯏ ꯍꯥꯌꯕꯥ ꯎꯠꯂꯤ꯫ ꯃꯍꯥꯛꯀꯤ ꯈꯨꯠ ꯃꯔꯤꯗꯥ ꯇꯣꯉꯥꯟ ꯇꯣꯉꯥꯅꯕꯥ ꯄꯣꯠꯂꯃꯁꯤꯡ ꯄꯨꯗꯨꯅꯥ ꯆꯠꯂꯤ꯫ ꯈꯨꯠ ꯑꯃꯅꯥ “ꯖ꯭ꯅꯥꯟ ꯃꯨꯗ꯭ꯔꯥ” ꯀꯧꯕꯥ ꯏꯉ꯭ꯒꯤꯠ ꯑꯃꯥ ꯎꯠꯂꯤ, ꯃꯁꯤꯒꯤ ꯑꯔꯊꯗꯤ ꯇꯝꯕꯤꯕꯥ ꯅꯠꯔꯒꯥ ꯖ꯭ꯅꯥꯟ ꯄꯤꯕꯥ ꯍꯥꯌꯕꯅꯤ꯫ ꯑꯇꯣꯞꯄꯥ ꯈꯨꯠ ꯑꯃꯅꯥ ꯗ꯭ꯔꯨꯝ ꯑꯃꯥ ꯊꯝꯃꯤ, ꯃꯁꯤꯅꯥ ꯁꯦꯝꯕꯤꯕꯥ ꯃꯄꯨꯒꯤ ꯈꯣꯟꯖꯦꯜ ꯑꯗꯨ ꯇꯥꯀꯏ꯫ ꯈꯨꯠ ꯑꯃꯅꯥ ꯃꯩ ꯊꯥꯕꯥ ꯌꯥꯏ, ꯃꯁꯤꯅꯥ ꯑꯖ꯭ꯅꯥꯅꯕꯨ ꯃꯥꯡꯍꯟ ꯇꯥꯀꯍꯅꯕꯒꯤ ꯃꯁꯛ ꯇꯥꯀꯏ, ꯑꯗꯨꯒꯥ ꯑꯇꯣꯞꯄꯥ ꯑꯃꯅꯥ ꯂꯧꯁꯤꯡꯒꯤ ꯃꯍꯨꯠ ꯁꯤꯟꯗꯨꯅꯥ ꯁꯥꯁ꯭ꯠꯔ ꯊꯝꯕꯥ ꯌꯥꯏ꯫ ꯀꯔꯤꯒꯨꯝꯕꯥ ꯃꯇꯃꯗꯥ, ꯃꯍꯥꯛꯀꯤ ꯀꯣꯛꯇꯥ ꯅꯣꯡꯁꯥ ꯑꯃꯥ ꯎꯕꯥ ꯐꯪꯏ, ꯃꯗꯨꯅꯥ ꯑꯄꯥꯝꯕꯁꯤꯡꯕꯨ ꯀꯟꯠꯔꯣꯜ ꯇꯧꯕꯥ ꯎꯠꯂꯤ꯫ ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤꯅꯥ ꯆꯨꯝꯅꯒꯤ ꯈꯨꯠꯊꯥꯡꯗꯥ ꯇꯝꯕꯤꯔꯤ, ꯃꯁꯤꯅꯥ ꯇꯥꯀꯄꯗꯤ ꯖ꯭ꯅꯥꯟ ꯑꯁꯤ ꯃꯇꯝ ꯄꯨꯝꯅꯃꯛꯇꯥ ꯋꯥꯍꯩꯅꯥ ꯐꯣꯡꯗꯣꯀꯄꯥ ꯉꯃꯗꯦ꯫ ꯃꯗꯨꯒꯤ ꯃꯍꯨꯠꯇꯥ, ꯃꯁꯤ ꯃꯦꯗꯤꯇꯦꯁꯟ, ꯂꯧꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯑꯦꯛꯁꯄꯔꯤꯌꯦꯟꯁꯀꯤ ꯈꯨꯠꯊꯥꯡꯗꯥ ꯊꯣꯀꯏ꯫ ꯚꯛꯇ ꯀꯌꯥꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯃꯨꯔꯇꯤꯒꯤ ꯃꯃꯥꯡꯗꯥ ꯙ꯭ꯌꯥꯟ ꯇꯧꯗꯨꯅꯥ ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯂꯧꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯅꯨꯡꯒꯤ ꯑꯣꯏꯕꯥ ꯁꯥꯟꯇꯤ ꯐꯪꯅꯕꯥ ꯍꯣꯠꯅꯩ꯫ ꯃꯍꯥꯀꯄꯨ ꯃꯔꯨꯑꯣꯏꯅꯥ ꯃꯍꯩꯔꯣꯌꯁꯤꯡ, ꯄꯟꯗꯤꯇꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯑꯆꯨꯝꯕꯥ ꯊꯤꯕꯥ ꯃꯤꯑꯣꯏꯁꯤꯡꯅꯥ ꯈꯨꯔꯨꯃꯖꯩ꯫ ꯍꯤꯟꯗꯨ ꯁꯥꯁ꯭ꯠꯔꯒꯤ ꯋꯥꯔꯤꯁꯤꯡꯅꯥ ꯍꯥꯌꯔꯤ ꯃꯗꯨꯗꯤ ꯑꯊꯣꯏꯕꯥ ꯔ꯭ꯏꯁꯤꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯏꯁ꯭ꯕꯔꯁꯤꯡ ꯐꯥꯑꯣꯕꯥ ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤꯗꯥ ꯌꯨꯅꯤꯚꯔꯁ ꯑꯃꯁꯨꯡ ꯊꯋꯥꯌꯒꯤ ꯃꯔꯃꯗꯥ ꯈꯉꯅꯕꯥ ꯂꯥꯀꯏ꯫ ꯃꯍꯥꯛ ꯑꯁꯤ ꯄꯨꯟꯁꯤꯒꯤ ꯑꯔꯣꯏꯕꯥ ꯑꯆꯨꯝꯕꯥ ꯑꯗꯨ ꯈꯉꯕꯥ ꯍꯥꯌꯕꯁꯤꯅꯤ, ꯍꯥꯌꯕꯗꯤ ꯃꯉꯥꯂꯒꯤ ꯋꯥꯈꯜꯂꯣꯅꯒꯥꯁꯨ ꯃꯔꯤ ꯂꯩꯅꯩ꯫ ꯃꯤꯌꯥꯝꯅꯥ ꯊꯥꯖꯩ ꯃꯗꯨꯗꯤ ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤꯕꯨ ꯈꯨꯔꯨꯃꯖꯕꯅꯥ ꯃꯈꯣꯌꯗꯥ ꯑꯀꯤꯕꯥ, ꯑꯀꯤꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯖ꯭ꯅꯥꯟ ꯂꯧꯊꯣꯀꯄꯗꯥ ꯃꯇꯦꯡ ꯄꯥꯡꯏ ꯑꯃꯁꯨꯡ ꯃꯌꯦꯛ ꯁꯦꯡꯕꯥ, ꯂꯧꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯅꯨꯡꯉꯥꯏꯕꯥ ꯄꯨꯔꯀꯏ꯫ ꯃꯍꯥꯛꯀꯤ ꯏꯀꯥꯌꯈꯨꯝꯅꯕꯥ ꯑꯣꯏꯅꯥ ꯚꯥꯔꯠ ꯁꯤꯅꯕꯥ ꯊꯨꯡꯅꯥ ꯂꯩꯔꯤꯕꯥ ꯂꯥꯏꯁꯉ ꯀꯌꯥꯗꯥ, ꯃꯔꯨꯑꯣꯏꯅꯥ ꯇꯥꯃꯤꯜ ꯅꯥꯗꯨꯗꯥ ꯀꯨꯝꯃꯩꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯑꯈꯟꯅꯕꯥ ꯊꯧꯔꯃꯁꯤꯡ ꯄꯥꯡꯊꯣꯀꯏ꯫ ꯃꯍꯥꯛꯀꯤ ꯇꯝꯕꯤꯕꯥ ꯑꯁꯤꯅꯥ ꯃꯤꯌꯥꯃꯗꯥ ꯅꯤꯡꯁꯤꯡꯍꯜꯂꯤ ꯃꯗꯨꯗꯤ ꯇꯝꯕꯥ ꯍꯥꯌꯕꯁꯤ ꯂꯥꯏꯔꯤꯛ ꯅꯠꯔꯒꯥ ꯄꯔꯤꯈꯥ ꯈꯛꯇꯒꯤ ꯅꯠꯇꯦ, ꯃꯁꯥ ꯃꯊꯟꯇꯥ ꯑꯃꯁꯨꯡ ꯃꯥꯂꯦꯝ ꯑꯁꯤꯕꯨ ꯂꯧꯁꯤꯅꯕꯅꯤ꯫ ꯚꯛꯇꯁꯤꯡꯅꯁꯨ ꯊꯥꯖꯩ ꯃꯗꯨꯗꯤ ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤꯗꯥ ꯙ꯭ꯌꯥꯟ ꯇꯧꯕꯅꯥ ꯑꯁꯥꯑꯣꯕꯥ, ꯊꯋꯥꯌ ꯌꯥꯑꯣꯕꯥ ꯑꯃꯁꯨꯡ ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯄꯥꯉ꯭ꯒꯜ ꯁꯦꯃꯒꯠꯄꯗꯥ ꯃꯇꯦꯡ ꯄꯥꯡꯏ꯫ ꯃꯍꯥꯛꯀꯤ ꯅꯤꯡꯊꯤꯖꯅꯥ ꯇꯝꯕꯤꯕꯥ ꯑꯁꯤꯅꯥ ꯀꯔꯤꯒꯨꯝꯕꯥ ꯃꯇꯃꯗꯥ, ꯋꯥ ꯉꯥꯡꯕꯗꯒꯤ ꯇꯥꯕꯥ ꯑꯃꯁꯨꯡ ꯌꯦꯡꯁꯤꯅꯕꯥ ꯑꯁꯤ ꯍꯦꯟꯅꯥ ꯄꯥꯉ꯭ꯒꯜ ꯂꯩ ꯍꯥꯌꯕꯥ ꯎꯠꯂꯤ꯫ ꯁꯤꯕ ꯄꯨꯔꯥꯟ ꯑꯃꯁꯨꯡ ꯁ꯭ꯀꯥꯟꯗ ꯄꯨꯔꯥꯅꯒꯨꯝꯕꯥ ꯑꯔꯤꯕꯥ ꯂꯥꯏꯔꯤꯀꯁꯤꯡꯗꯥ ꯌꯥꯑꯣꯔꯤꯕꯥ ꯋꯥꯔꯤ ꯀꯌꯥꯅꯥ ꯃꯇꯧ ꯀꯔꯝꯅꯥ ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤꯅꯥ ꯔ꯭ꯏꯁꯤꯁꯤꯡꯕꯨ ꯃꯁꯥ ꯃꯊꯟꯇꯥ ꯋꯥꯈꯜ ꯇꯥꯍꯟꯅꯕꯒꯤ ꯂꯝꯕꯤ ꯇꯥꯀꯄꯤꯗꯨꯅꯥ ꯎꯄꯥꯂꯒꯤ ꯃꯈꯥꯗꯥ ꯅꯤꯡꯊꯤꯖꯅꯥ ꯇꯝꯕꯤꯕꯒꯦ ꯍꯥꯌꯕꯗꯨ ꯐꯣꯡꯗꯣꯛꯂꯤ꯫ ꯆꯍꯤ ꯈꯨꯗꯤꯡꯒꯤ ꯃꯤꯑꯣꯏꯁꯤꯡꯅꯥ ꯃꯍꯥꯛꯀꯥ ꯁꯝꯅꯍꯅꯕꯥ ꯌꯥꯏ ꯃꯔꯃꯗꯤ ꯃꯍꯥꯛꯀꯤ ꯇꯝꯕꯤꯕꯥ ꯑꯁꯤ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯗꯨꯕꯨ ꯌꯥꯝꯅꯥ ꯂꯨꯕꯥ ꯑꯃꯅꯤ꯫ ꯉꯁꯤꯁꯨ ꯃꯍꯥꯛꯀꯤ ꯃꯨꯔꯇꯤꯅꯥ ꯚꯛꯇꯤ, ꯖ꯭ꯅꯥꯅꯕꯨ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯕꯥ ꯑꯃꯁꯨꯡ ꯄꯨꯟꯁꯤꯒꯤ ꯃꯔꯃꯗꯥ ꯑꯆꯨꯝꯕꯥ ꯈꯉꯅꯤꯡꯕꯥ ꯄꯣꯀꯍꯜꯂꯤ꯫ ꯑꯄꯨꯅꯕꯥ ꯑꯣꯏꯅꯥ ꯗꯛꯁꯤꯅꯥꯃꯨꯔꯇꯤ ꯑꯁꯤ ꯗꯦꯕꯇꯥ ꯈꯛꯇꯥ ꯅꯠꯇꯅꯥ ꯂꯧꯁꯤꯡ, ꯇꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯅꯨꯡꯒꯤ ꯑꯣꯏꯕꯥ ꯃꯉꯥꯂꯒꯤ ꯃꯁꯛ ꯑꯃꯅꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯇꯥꯀꯄꯤꯔꯤ ꯃꯗꯨꯗꯤ ꯑꯆꯨꯝꯕꯥ ꯂꯧꯁꯤꯡ ꯑꯁꯤ ꯋꯥꯍꯩ ꯈꯛꯇꯗꯥ ꯅꯠꯇꯅꯥ ꯂꯧꯁꯤꯡ, ꯑꯦꯛꯁꯄꯔꯤꯌꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯃꯥꯂꯦꯝ ꯑꯁꯤꯕꯨ ꯃꯌꯦꯛ ꯁꯦꯡꯅꯥ ꯎꯕꯥ ꯉꯝꯕꯗꯥ ꯂꯩ꯫ ꯃꯍꯥꯀꯄꯨ ꯈꯨꯔꯨꯃꯖꯕꯅꯥ ꯄꯨꯀꯆꯦꯜ ꯁꯦꯡꯅꯥ ꯑꯆꯨꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯂꯧꯁꯤꯡ ꯊꯤꯕꯥ ꯃꯤꯑꯣꯏ ꯑꯃꯗꯥ ꯁꯥꯟꯇꯤ, ꯂꯃꯖꯤꯡ-ꯂꯃꯇꯥꯛ ꯑꯃꯁꯨꯡ ꯃꯉꯥꯜ ꯄꯤꯒꯅꯤ ꯍꯥꯌꯅꯥ ꯊꯥꯖꯅꯩ꯫[꯱][꯲][꯳][꯴]
ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ
[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]- ↑ Dictionary of Hindu Lore and Legend (ISBN 0-500-51088-1) by Anna Dallapiccola
- ↑ https://shlokam.org/dakshinamurthystotram/
- ↑ Rajarajan, R.K.K. (January 2019). "New Dimensions of Dakṣiṇāmūrti: with Special Reference to Vijayanagara-Nāyaka Art". Heritage: Journal of Multidisciplinary Studies in Archaeology.
- ↑ Rajarajan, R.K.K. (2011). "Dakṣiṇamūrti on vimānas of Viṣṇu Temples in the Far South". South Asian Studies. 27 (2): 131–144. doi:10.1080/02666030.2011.614413. S2CID 194022781.