ꯚꯤꯛꯁꯥꯇꯅ
ꯚꯤꯛꯁꯥꯇꯅ (ꯅꯨꯡꯒꯤ ꯋꯥꯍꯟꯊꯣꯛꯇꯤ ꯆꯥꯛꯅꯤ ꯐꯤꯅꯤꯕ ꯂꯥꯢꯅꯨꯄꯥ) ꯑꯁꯤ ꯍꯤꯟꯗꯨꯒꯤ ꯂꯥꯢꯅꯨꯄꯥ ꯑꯃꯅꯤ ꯫ ꯚꯤꯛꯁꯥꯇꯟ ꯑꯁꯤ ꯍꯤꯟꯗꯨ ꯙꯔꯝꯃꯗꯥ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯀꯤ ꯃꯑꯣꯡ ꯀꯌꯥꯒꯤ ꯃꯅꯨꯡꯗꯥ ꯑꯃꯅꯤ꯫ ꯃꯁꯤꯒꯤ ꯃꯑꯣꯡ ꯑꯁꯤꯗꯥ ꯁꯤꯕꯕꯨ ꯚꯤꯛꯁꯥꯔꯤ ꯕꯣꯜ ꯑꯃꯥ ꯄꯨꯗꯨꯅꯥ ꯆꯠꯊꯣꯛ-ꯆꯠꯁꯤꯟ ꯇꯧꯕꯥ ꯂꯥꯏꯅꯤꯡꯕꯥ ꯅꯠꯔꯒꯥ ꯚꯤꯛꯁꯥꯔꯤ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯎꯠꯂꯤ꯫ “ꯚꯤꯛꯁꯇꯥꯟ” ꯍꯥꯌꯕꯥ ꯋꯥꯍꯩ ꯑꯁꯤ ꯁꯪꯁ꯭ꯀ꯭ꯔ꯭ꯏꯇꯗꯒꯤ ꯂꯥꯀꯄꯅꯤ, ꯃꯐꯃꯁꯤꯗꯥ “ꯚꯤꯛꯁ” ꯍꯥꯌꯕꯁꯤ ꯗꯥꯟ ꯅꯠꯔꯒꯥ ꯆꯥꯅꯕꯥ ꯍꯥꯌꯕꯅꯤ, ꯑꯃꯁꯨꯡ “ꯇꯥꯅꯥ” ꯍꯥꯌꯕꯁꯤ ꯄꯤꯕꯥ ꯅꯠꯔꯒꯥ ꯂꯧꯕꯥ ꯍꯥꯌꯕꯅꯤ꯫ ꯑꯗꯨꯅꯥ, ꯚꯤꯛꯁꯥꯇꯅꯒꯤ ꯑꯔꯊꯗꯤ “ꯑꯆꯧꯕꯥ ꯚꯤꯛꯁꯥꯔꯤ” ꯅꯠꯔꯒꯥ “ꯗꯥꯟ ꯍꯥꯌꯖꯕꯥ” ꯍꯥꯌꯕꯅꯤ꯫ ꯍꯤꯟꯗꯨꯒꯤ ꯋꯥꯔꯤꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯂꯥꯏꯁꯉꯒꯤ ꯀꯂꯥꯗꯥ ꯁꯤꯕꯀꯤ ꯃꯑꯣꯡ ꯑꯁꯤ ꯌꯥꯝꯅꯥ ꯃꯔꯨ ꯑꯣꯏ꯫ ꯋꯥꯔꯤꯁꯤꯡꯒꯤ ꯃꯇꯨꯡ ꯏꯟꯅꯥ ꯁꯤꯕꯅꯥ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯁꯥ-ꯃꯔꯣꯃꯗꯣꯝ ꯂꯦꯄꯆꯕꯥ ꯉꯝꯕꯒꯤ ꯃꯔꯨꯑꯣꯏꯕꯒꯤ ꯃꯇꯥꯡꯗꯥ ꯂꯥꯏꯁꯣꯟ ꯇꯝꯕꯤꯅꯕꯥ ꯚꯤꯛꯁꯥꯇꯅꯒꯤ ꯃꯑꯣꯡ ꯃꯇꯧ ꯂꯧꯈꯤ꯫ ꯃꯍꯥꯛ ꯑꯁꯣꯀꯄꯥ ꯆꯠꯊꯣꯛ-ꯆꯠꯁꯤꯟ ꯇꯧꯕꯥ ꯃꯤꯑꯣꯏ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯎꯈꯤ, ꯚꯤꯛꯁꯥꯒꯤꯗꯃꯛ ꯕꯣꯜ ꯑꯃꯥ ꯄꯨꯗꯨꯅꯥ ꯆꯠꯈꯤ ꯑꯃꯁꯨꯡ ꯃꯐꯝ ꯑꯃꯗꯒꯤ ꯃꯐꯝ ꯑꯃꯗꯥ ꯑꯀꯤꯕꯥ ꯑꯃꯁꯨꯡ ꯂꯥꯡꯇꯛꯅꯕꯥ ꯂꯩꯇꯅꯥ ꯆꯠꯈꯤ꯫ ꯃꯁꯤꯒꯤ ꯃꯑꯣꯡ ꯑꯁꯤꯅꯥ ꯃꯤꯑꯣꯏꯕꯗꯥ ꯅꯤꯡꯁꯤꯡꯍꯜꯂꯤ ꯃꯗꯨꯗꯤ ꯈ꯭ꯕꯥꯏꯗꯒꯤ ꯆꯥꯎꯕꯥ ꯏꯁ꯭ꯕꯔꯁꯤꯡ ꯐꯥꯑꯣꯕꯥ ꯁꯨꯞꯅꯇꯒꯤ ꯍꯤꯡꯂꯤ ꯑꯃꯁꯨꯡ ꯃꯆꯥꯛ ꯃꯊꯨꯃꯒꯤ ꯂꯟ-ꯊꯨꯃꯒꯤ ꯃꯊꯧ ꯇꯥꯗꯦ꯫ ꯚꯤꯛꯁꯥꯇꯟ ꯑꯁꯤ ꯑꯌꯥꯝꯕꯅꯥ ꯂꯝꯕꯥ, ꯏꯁꯤꯡ ꯇꯨꯡꯁꯤꯅꯕꯥ ꯈꯣꯡꯎꯞ ꯑꯃꯁꯨꯡ ꯁꯔꯨ ꯅꯠꯠꯔꯒꯥ ꯔꯨꯗ꯭ꯔꯀꯁꯀꯤ ꯃꯆꯨꯗꯒꯤ ꯁꯦꯝꯕꯥ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯂꯪ-ꯑꯔꯥꯀꯁꯤꯡ ꯁꯤꯖꯤꯟꯅꯗꯨꯅꯥ ꯎꯠꯂꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯀꯔꯤꯒꯨꯝꯕꯥ ꯃꯇꯃꯗꯥ ꯁ꯭ꯇꯥꯐ ꯑꯃꯥ ꯄꯨꯗꯨꯅꯥ ꯆꯠꯂꯤ ꯑꯃꯁꯨꯡ ꯈꯣꯡꯅꯥ ꯆꯠꯂꯤꯉꯩꯗꯥ ꯅꯥꯠꯀꯤ ꯑꯣꯏꯕꯥ ꯃꯑꯣꯡꯗꯥ ꯅꯤꯡꯇꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯍꯔꯥꯑꯣꯕꯥ ꯎꯠꯂꯤ꯫ ꯃꯔꯨꯑꯣꯏꯅꯥ ꯈꯥ ꯚꯥꯔꯠꯇꯥ ꯁꯤꯕꯇꯥ ꯀꯠꯊꯣꯛꯂꯕꯥ ꯂꯥꯏꯁꯉꯁꯤꯡꯗꯥ ꯑꯌꯥꯝꯕꯅꯥ ꯋꯥꯂꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯌꯨꯝꯕꯤꯁꯤꯡꯗꯥ ꯚꯤꯛꯁꯥꯇꯅꯒꯤ ꯃꯨꯔꯇꯤꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯀꯥꯔꯚꯤꯡꯁꯤꯡ ꯂꯩ꯫ ꯍꯥꯌꯔꯤꯕꯥ ꯏꯃꯦꯖꯁꯤꯡ ꯑꯁꯤ ꯚꯛꯇꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯇꯤꯁ꯭ꯇꯁꯤꯡꯒꯤꯗꯃꯛ ꯃꯔꯨꯑꯣꯏ ꯃꯔꯃꯗꯤ ꯃꯈꯣꯌꯅꯥ ꯁꯛꯇꯤ, ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯤꯅꯨꯡꯁꯤꯒꯤ ꯕꯦꯂꯦꯟꯁ ꯑꯗꯨ ꯎꯠꯂꯤ꯫ ꯚꯤꯛꯁꯥꯇꯅꯒꯤ ꯃꯔꯃꯗꯥ ꯃꯃꯤꯡ ꯆꯠꯂꯕꯥ ꯋꯥꯔꯤ ꯑꯃꯅꯥ ꯍꯥꯌꯔꯤ ꯃꯗꯨꯗꯤ ꯁꯤꯕ ꯑꯁꯤ ꯑꯇꯣꯞꯄꯥ ꯏꯁ꯭ꯕꯔꯒꯥ ꯂꯥꯟꯊꯦꯡꯅꯔꯕꯥ ꯃꯇꯨꯡꯗꯥ ꯃꯑꯣꯡ ꯑꯁꯤꯃꯛꯇꯗꯥ ꯊꯣꯔꯀꯈꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯃꯈꯣꯌꯗꯥ ꯑꯍꯣꯡꯕꯥ ꯑꯃꯁꯨꯡ ꯆꯥꯎꯊꯣꯀꯆꯕꯥ ꯑꯁꯤ ꯑꯐꯕꯥ ꯅꯠꯇꯦ ꯍꯥꯌꯕꯥ ꯄꯥꯔꯥ ꯑꯃꯥ ꯇꯝꯕꯤꯕꯥ ꯄꯥꯃꯈꯤ꯫ ꯚꯤꯛꯁꯥꯇꯟ ꯑꯣꯏꯅꯥ ꯃꯍꯥꯛꯅꯥ ꯁꯍꯔ ꯑꯃꯁꯨꯡ ꯈꯨꯉ꯭ꯒꯪꯁꯤꯡꯗꯥ ꯆꯥꯅꯕꯥ ꯍꯥꯌꯗꯨꯅꯥ ꯆꯠꯈꯤ, ꯑꯃꯁꯨꯡ ꯃꯤꯑꯣꯏꯕꯅꯥ ꯈꯉꯂꯀꯈꯤ ꯃꯗꯨꯗꯤ ꯖꯤꯕ ꯈꯨꯗꯤꯡꯃꯛ, ꯏꯁ꯭ꯕꯔ ꯅꯠꯔꯒꯥ ꯃꯤꯑꯣꯏꯕꯥ ꯈꯨꯗꯤꯡꯃꯛ ꯙꯔꯝ ꯅꯠꯔꯒꯥ ꯑꯆꯨꯝꯕꯥ ꯋꯥꯌꯦꯂꯒꯤ ꯃꯤꯠꯌꯦꯡꯗꯥ ꯆꯞ ꯃꯥꯟꯅꯩ꯫ ꯚꯤꯛꯁꯥꯇꯟ ꯑꯁꯤꯅꯥ ꯃꯤꯑꯣꯏ ꯑꯃꯅꯥ ꯃꯥꯂꯦꯃꯗꯥ ꯇꯪꯗꯨ ꯂꯩꯇꯥꯕꯥ ꯑꯃꯁꯨꯡ ꯚꯛꯇꯤꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯆꯠꯊꯣꯛ-ꯆꯠꯁꯤꯟ ꯇꯧꯒꯗꯕꯅꯤ ꯍꯥꯌꯕꯥ ꯎꯠꯇꯨꯅꯥ ꯊꯤꯔꯤꯕꯥ ꯃꯤꯑꯣꯏ ꯑꯃꯒꯤ ꯆꯠꯊꯣꯛ-ꯆꯠꯁꯤꯟ ꯇꯧꯕꯥ ꯊꯋꯥꯌꯒꯤ ꯃꯃꯤꯁꯨ ꯇꯥꯀꯏ꯫ ꯃꯁꯤꯒꯤ ꯃꯑꯣꯡ ꯑꯁꯤꯅꯥ ꯃꯤꯑꯣꯏꯁꯤꯡꯕꯨ ꯂꯥꯏꯅꯥ ꯍꯤꯡꯅꯕꯥ, ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯇꯣꯞꯄꯁꯤꯡꯕꯨ ꯏꯀꯥꯌ ꯈꯨꯝꯅꯕꯥ ꯄꯨꯛꯅꯤꯡ ꯊꯧꯒꯠꯂꯤ꯫ ꯈꯔꯅꯥ ꯚꯤꯛꯁꯥꯇꯅꯕꯨ ꯎꯕꯗꯥ ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯊꯧꯖꯥꯜ ꯄꯨꯔꯀꯏ ꯑꯃꯁꯨꯡ ꯊꯝꯃꯣꯌꯗꯒꯤ ꯆꯥꯎꯊꯣꯀꯆꯕꯥ ꯂꯧꯊꯣꯀꯏ ꯍꯥꯌꯅꯥ ꯊꯥꯖꯩ꯫ ꯆꯍꯤ ꯂꯤꯁꯤꯡ ꯀꯌꯥꯗꯒꯤ ꯑꯥꯔꯇꯤꯁ꯭ꯇꯁꯤꯡꯅꯥ ꯚꯤꯛꯁꯥꯇꯅꯒꯤ ꯐꯖꯔꯕꯥ ꯄꯦꯟꯇꯤꯡ ꯑꯃꯁꯨꯡ ꯁ꯭ꯀꯜꯄꯆꯔ ꯀꯌꯥ ꯁꯦꯃꯗꯨꯅꯥ ꯂꯥꯛꯂꯤ꯫ ꯑꯥꯔꯇꯋꯥꯔꯀꯁꯤꯡ ꯑꯁꯤꯗꯥ ꯁꯤꯕꯅꯥ ꯕꯣꯜ ꯑꯃꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯆꯠꯂꯤꯕꯥ ꯎꯠꯂꯤ, ꯀꯔꯤꯒꯨꯝꯕꯥ ꯃꯇꯃꯗꯥ ꯚꯨꯠ, ꯁ꯭ꯄꯤꯔꯤꯠ ꯅꯠꯔꯒꯥ ꯁꯥ-ꯁꯅꯁꯤꯡꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯆꯠꯂꯤ, ꯃꯁꯤꯅꯥ ꯃꯍꯥꯀꯄꯨ ꯈꯨꯟꯅꯥꯏꯒꯤ ꯆꯠꯅꯕꯤꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯃꯥꯂꯦꯃꯒꯤ ꯑꯣꯏꯕꯥ ꯃꯔꯤꯁꯤꯡꯒꯤ ꯃꯄꯥꯟꯗꯥ ꯂꯩ ꯍꯥꯌꯕꯥ ꯎꯠꯂꯤ꯫ ꯚꯤꯛꯁꯥꯇꯅꯅꯥ ꯇꯥꯀꯄꯤꯔꯤ ꯃꯗꯨꯗꯤ ꯈ꯭ꯕꯥꯏꯗꯒꯤ ꯃꯄꯥꯉ꯭ꯒꯜ ꯀꯅꯕꯥ ꯖꯤꯕꯁꯤꯡ ꯐꯥꯑꯣꯕꯥ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯁꯥ-ꯃꯔꯣꯃꯗꯣꯝ ꯂꯦꯄꯆꯕꯥ ꯉꯝꯕꯒꯤ ꯊꯧꯑꯣꯡ ꯄꯥꯉꯊꯣꯛꯀꯗꯕꯅꯤ꯫ ꯚꯛꯇꯁꯤꯡꯅꯥ ꯅꯨꯡꯒꯤ ꯑꯣꯏꯕꯥ ꯁꯥꯟꯇꯤ ꯑꯃꯁꯨꯡ ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯆꯥꯎꯈꯠꯄꯥ ꯊꯤꯅꯕꯒꯤꯗꯃꯛ ꯁꯤꯕꯀꯤ ꯃꯑꯣꯡ ꯑꯁꯤ ꯙ꯭ꯌꯥꯟ ꯇꯧꯏ꯫ ꯆꯤꯗꯝꯕꯔꯝ ꯑꯃꯁꯨꯡ ꯀꯥꯟꯆꯤꯄꯨꯔꯃꯒꯨꯝꯕꯥ ꯃꯐꯃꯁꯤꯡꯗꯥ ꯂꯩꯕꯥ ꯂꯥꯏꯁꯉꯁꯤꯡꯗꯥ ꯚꯤꯛꯁꯥꯇꯅꯒꯤ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯃꯁꯀꯁꯤꯡ ꯂꯩ꯫ ꯃꯣꯗꯔꯟ ꯇꯥꯏꯃꯗꯥ ꯃꯤꯑꯣꯏꯕꯅꯥ ꯚꯤꯛꯁꯥꯇꯅꯕꯨ ꯅꯤꯡꯁꯤꯡꯍꯜꯂꯤ ꯃꯗꯨꯗꯤ ꯑꯁꯦꯡꯕꯥ ꯄꯥꯉ꯭ꯒꯜ ꯑꯁꯤ ꯂꯟ-ꯊꯨꯝ ꯅꯠꯔꯒꯥ ꯁꯛꯇꯤꯗꯥ ꯅꯠꯇꯦ ꯑꯗꯨꯕꯨ ꯆꯔꯤꯠꯔ, ꯗꯤꯁꯤꯞꯂꯤꯟ ꯑꯃꯁꯨꯡ ꯏꯆꯝ ꯆꯝꯕꯥ ꯋꯥꯈꯂꯗꯥ ꯂꯩ꯫ ꯃꯍꯥꯛꯀꯤ ꯆꯠꯊꯣꯛ-ꯆꯠꯁꯤꯟ ꯇꯧꯕꯥ ꯃꯑꯣꯡ ꯑꯁꯤꯅꯥ ꯄꯨꯟꯁꯤ ꯑꯁꯤ ꯈꯣꯉꯆꯠ ꯑꯃꯅꯤ ꯍꯥꯌꯕꯥ ꯎꯠꯂꯤ, ꯑꯃꯁꯨꯡ ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯆꯥꯎꯈꯠꯄꯥ ꯑꯁꯤ ꯇꯝꯕꯥ, ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯆꯥꯛ-ꯃꯊꯨꯃꯒꯤ ꯑꯄꯥꯝꯕꯗꯒꯤ ꯂꯥꯄꯊꯣꯀꯄꯗꯒꯤ ꯂꯥꯀꯏ꯫ ꯋꯥꯍꯩ ꯈꯔꯥ ꯍꯥꯌꯔꯕꯗꯥ, ꯚꯤꯛꯁꯥꯇꯟ ꯑꯁꯤ ꯚꯒꯕꯥꯟ ꯁꯤꯕꯀꯤ ꯑꯈꯟꯅꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯃꯑꯣꯡ ꯑꯃꯅꯤ꯫ ꯃꯍꯥꯛ ꯑꯁꯤ ꯑꯣꯖꯥ ꯑꯃꯅꯤ, ꯂꯃꯀꯣꯏꯕꯥ ꯑꯃꯅꯤ ꯑꯃꯁꯨꯡ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯚꯛꯇꯤꯒꯤ ꯃꯁꯛ ꯑꯃꯅꯤ꯫ ꯃꯤꯌꯥꯝꯅꯥ ꯃꯍꯥꯀꯄꯨ ꯂꯥꯏꯅꯥ ꯍꯤꯡꯕꯥ, ꯃꯤꯅꯨꯡꯁꯤꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯊꯕꯛ ꯇꯧꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯥꯂꯦꯃꯒꯤ ꯄꯣꯠꯂꯃꯁꯤꯡꯒꯤ ꯃꯊꯛꯇꯥ ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯂꯧꯁꯤꯡ ꯊꯤꯕꯥ ꯅꯤꯡꯁꯤꯡꯏ꯫ ꯚꯤꯛꯁꯥꯇꯅꯒꯤ ꯋꯥꯔꯤꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯃꯨꯔꯇꯤꯁꯤꯡ ꯑꯁꯤꯅꯥ ꯉꯁꯤ ꯐꯥꯑꯣꯕꯥ ꯚꯛꯇ ꯑꯃꯁꯨꯡ ꯀꯂꯥꯀꯥꯔ ꯂꯥꯈ ꯀꯌꯥꯗꯥ ꯏꯊꯤꯜ ꯄꯤꯔꯤ, ꯏꯆꯝ ꯆꯝꯕꯥ, ꯚꯛꯇꯤ ꯑꯃꯁꯨꯡ ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯂꯧꯁꯤꯡꯒꯤ ꯃꯇꯝ ꯅꯥꯏꯗ꯭ꯔꯕꯥ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯑꯗꯨ ꯎꯠꯂꯤ꯫[꯱][꯲][꯳]
ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ
[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]- ↑ Dehejia, Vidya (2009). The Body Adorned: Dissolving Boundaries Between Sacred and Profane in India's Art. New York: Columbia University Press. ISBN 978-0-231-51266-4.
- ↑ Donaldson, Thomas E. (1986). "Bhikṣāṭanamūrti Images from Orissa". Artibus Asiae. 47 (1). Artibus Asiae Publishers: 51–66. doi:10.2307/3249979. JSTOR 3249979.
- ↑ Kramrisch, Stella (1981). The Presence of Siva. Princeton, NJ: Princeton University Press. ISBN 0-691-01930-4.