ꯕ꯭ꯂꯣꯗꯀꯣ ꯀꯥꯎꯐꯃꯦꯟ

ꯋꯤꯀꯤꯄꯦꯗꯤꯌꯥ ꯗꯒꯤ

ꯕ꯭ꯂꯣꯗꯀꯣ (ꯕ꯭ꯂꯥꯗꯤꯃꯤꯔ) ꯀꯥꯎꯐꯝꯌꯥꯟ (ꯃꯥꯔꯆ ꯲, ꯱꯹꯵꯷, ꯀꯖꯥꯈꯁ꯭ꯇꯥꯅꯒꯤ ꯀꯔꯒꯟꯗꯥꯗꯥ ꯄꯣꯀꯈꯤꯕꯥ) ꯑꯁꯤ ꯖꯔꯃꯅꯤꯒꯤ ꯂꯃꯗꯃꯒꯤ ꯌꯨꯛꯔꯦꯅꯒꯤ ꯑꯥꯔꯇꯤꯁ꯭ꯠ ꯑꯃꯅꯤ, ꯄꯦꯏꯟꯇꯔ, ꯒ꯭ꯔꯥꯐꯤꯛ ꯑꯥꯔꯇꯤꯁ꯭ꯠ, ꯄꯔꯐꯣꯔꯃꯔ, ꯑꯥꯔꯠ ꯄ꯭ꯔꯣꯖꯦꯛꯇ ꯀꯌꯥꯒꯤ ꯑꯣꯊꯣꯔꯤꯇꯤ, ꯑꯃꯁꯨꯡ ꯁꯣꯂꯣ ꯑꯃꯁꯨꯡ ꯒ꯭ꯔꯨꯞ ꯑꯦꯀꯖꯤꯕꯤꯁꯅꯁꯤꯡꯗꯥ ꯁꯔꯨꯛ ꯌꯥꯈꯤꯕꯥ ꯑꯃꯅꯤ꯫[꯱][꯲][꯳][꯴][꯵]

ꯄꯨꯟꯁꯤ ꯋꯥꯔꯤ[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]

ꯕ꯭ꯂꯣꯗꯀꯣ ꯀꯥꯎꯐꯃꯦꯅꯅꯥ ꯱꯹꯷꯴-꯱꯹꯷꯸ꯗꯥ ꯏꯚꯥꯟ ꯇ꯭ꯔꯨꯁꯀꯤ ꯃꯃꯤꯡ ꯊꯣꯅꯕꯥ ꯂꯚꯤꯚ ꯁ꯭ꯀꯨꯜ ꯑꯣꯐ ꯑꯦꯞꯂꯥꯏꯗ ꯑꯦꯟꯗ ꯗꯦꯀꯣꯔꯦꯇꯤꯕ ꯑꯥꯔꯇꯁꯇꯥ ꯇꯃꯈꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯂꯚꯤꯚ ꯄꯣꯂꯤꯇꯦꯛꯅꯤꯛ ꯏꯟꯁꯇꯤꯠꯌꯨꯠꯇꯥ ꯇꯃꯈꯤ, ꯱꯹꯷꯸-꯱꯹꯸꯰ꯗꯥ ꯑꯥꯔꯀꯤꯇꯦꯀꯆꯔꯗꯥ ꯃꯦꯖꯔ ꯑꯣꯏꯈꯤ꯫ ꯀꯥꯎꯐꯃꯦꯅꯅꯥ ꯑꯍꯥꯅꯕꯥ ꯃꯅꯥ ꯐꯪꯈꯤ, ꯄꯦꯟꯇꯤꯡꯗꯥ, ꯱꯹꯸꯶ꯇꯥ ꯂꯚꯤꯚ ꯑꯥꯔꯠ ꯒꯦꯜꯂꯔꯤꯗꯒꯤ "ꯑꯇꯝ ꯃꯤꯇꯤꯡꯁ"꯫ꯃꯍꯥꯛꯅꯥ ꯚꯦꯔꯤꯑꯦꯇꯤ ꯊꯤꯌꯦꯇꯔꯗꯥ ꯊꯕꯛ ꯇꯧꯈꯤ "ꯑꯋꯥꯕꯥ ꯂꯩꯔꯣꯏꯗꯕꯅꯤ!" ꯱꯹꯸꯸ꯗꯥ ꯑꯥꯔꯇꯤꯁ꯭ꯠ ꯑꯣꯏꯅꯥ ꯔꯦꯁꯤꯗꯦꯟꯁ ꯑꯣꯏꯅꯥ ꯊꯕꯛ ꯇꯧꯈꯤ꯫꯱꯹꯸꯹-꯱꯹꯹꯳ꯗꯥ ꯃꯍꯥꯛ ꯑꯥꯔꯠ ꯁꯣꯁꯥꯏꯇꯤ "ꯗꯤ ꯋꯦ"ꯒꯤ ꯃꯦꯝꯕꯔ ꯑꯃꯥ ꯑꯣꯏꯈꯤ ꯑꯃꯁꯨꯡ ꯃꯁꯤꯒꯤ ꯒ꯭ꯔꯨꯞ ꯑꯦꯀꯖꯤꯕꯤꯁꯅꯁꯤꯡꯗꯥ ꯂꯚꯤꯚ, ꯈꯥꯔꯀꯤꯚ, ꯂꯨꯕꯂꯤꯟ ꯑꯃꯁꯨꯡ ꯀ꯭ꯔꯀꯑꯣꯚꯗꯥ ꯁꯔꯨꯛ ꯌꯥꯈꯤ꯫

꯱꯹꯹꯲ꯗꯥ ꯃꯍꯥꯛ "ꯚꯤꯚꯤꯍ" ꯀꯨꯝꯃꯩꯒꯤ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯑꯥꯔꯇꯤꯁ꯭ꯠ ꯑꯣꯏꯈꯤ꯫ ꯱꯹꯹꯳ꯗꯥ ꯃꯍꯥꯛ "ꯌꯨꯛꯔꯦꯅꯒꯤ ꯅꯍꯥ ꯑꯣꯏꯔꯤꯕꯥ ꯈ꯭ꯔ꯭ꯏꯁ꯭ꯠ"ꯒꯤ ꯀꯨꯝꯃꯩꯒꯤ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯑꯥꯔꯇꯤꯁ꯭ꯠ ꯑꯣꯏꯈꯤ꯫ ꯱꯹꯹꯳ꯗꯥ ꯃꯍꯥꯛ ꯑꯥꯔꯇꯤꯁ꯭ꯇꯤꯛ ꯑꯦꯁꯣꯁꯤꯑꯦꯁꯟ "ꯗꯤꯖꯤꯒꯥ"ꯒꯤ ꯀꯣ-ꯐꯧꯎꯟꯗꯔ ꯑꯣꯏꯈꯤ꯫ ꯃꯍꯥꯛ ꯃꯁꯤꯒꯤ ꯑꯥꯔꯠ ꯗꯥꯏꯔꯦꯛꯇꯔ ꯑꯣꯏꯈꯤ꯫ ꯱꯹꯹꯳ꯗꯥ ꯃꯍꯥꯛꯅꯥ ꯂꯚꯤꯚ ꯑꯥꯔꯠ ꯒꯦꯜꯂꯔꯤꯗꯥ ꯍꯥꯡꯗꯣꯀꯄꯥ "ꯂꯦꯇꯔꯁ ꯇꯨ ꯑꯥꯔꯊꯂꯤꯡꯁ, ꯅꯠꯔꯒꯥ ꯑꯍꯨꯃꯁꯨꯕꯥ ꯁꯤꯜ" ꯄꯤꯈꯤ, ꯃꯁꯤꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯑꯦꯀꯖꯤꯕꯤꯁꯟ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ "ꯏꯅꯀꯃꯞꯔꯦꯍꯦꯟꯁꯤꯕꯜ ꯔꯨꯏꯟ" ꯄꯤꯈꯤ꯫

꯲꯰꯰꯵-꯲꯰꯰꯶ꯇꯥ ꯃꯍꯥꯛꯀꯤ ꯄꯦꯟꯇꯤꯡ "ꯗꯤꯁꯄꯣꯖꯦꯜ ꯑꯣꯐ ꯅꯣꯁ꯭ꯇꯦꯂꯖꯤꯌꯥ*" ꯑꯁꯤ "ꯗꯤꯖꯥ" (ꯀꯣꯐꯤ ꯁꯣꯞ "ꯑꯟꯗꯔ ꯗ ꯍꯣꯔꯒ꯭ꯂꯥꯁ")ꯗꯥ ꯏꯅꯁ꯭ꯇꯣꯜ ꯇꯧꯈꯤ꯫ ꯃꯍꯥꯛ ꯲꯰꯰꯷ꯇꯥ ꯏꯟꯁꯇꯤꯠꯌꯨꯠ ꯑꯣꯐ ꯃꯣꯗꯔꯟ ꯑꯥꯔꯇꯀꯤ ꯀꯣ-ꯐꯧꯎꯟꯗꯔ ꯑꯣꯏꯈꯤ꯫꯲꯰꯰꯸ꯗꯥ "ꯑꯥꯔꯠ-ꯗꯤꯄꯣꯠ" ꯄ꯭ꯔꯣꯖꯦꯛꯇ (ꯂꯚꯤꯚ)ꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ "ꯍꯣꯝ ꯑꯦꯛꯁꯀꯔꯁꯟ" ꯑꯃꯁꯨꯡ "ꯁꯦꯛꯔꯦꯗ ꯄꯣꯂꯇꯚꯥ"ꯒꯤ ꯄꯔꯐꯣꯃꯦꯟꯁꯁꯤꯡ, ꯄꯔꯐꯣꯃꯦꯟꯁ "ꯗꯤꯛꯂꯥꯔꯦꯁꯟ ꯑꯣꯐ ꯑꯦꯝꯞꯇꯤꯅꯦꯁ"꯫ "ꯒꯣꯒꯣꯂꯐꯦꯁ꯭ꯠ" ꯐꯦꯁ꯭ꯇꯤꯕꯦꯜ (ꯀꯤꯚ)ꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ, III ꯕ꯭ꯔꯨꯅꯣ ꯁꯨꯜꯇꯖ ꯏꯟꯇꯔꯅꯦꯁ꯭ꯅꯦꯜ ꯐꯦꯁ꯭ꯇꯤꯕꯦꯜ "ꯘꯗꯤꯗꯥ ꯄꯥꯡꯊꯣꯀꯄꯥ" (ꯗ꯭ꯔꯣꯍꯣꯕꯤꯆ)ꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯗ꯭ꯔꯣꯍꯣꯕꯤꯠꯁ꯭ꯛ ꯇꯥꯎꯟ ꯍꯣꯂꯒꯤ ꯘꯗꯤꯒꯤ ꯊꯕꯛꯇꯥ ꯄꯔꯐꯣꯃꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯚꯤꯗꯤꯑꯣ ꯑꯥꯔꯠ, ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯄꯔꯐꯣꯃꯦꯟꯁ "ꯕꯤ. ꯑꯦꯟ." ꯋꯤꯛ ꯑꯣꯐ ꯑꯦꯛꯇꯤꯕ ꯑꯥꯔꯠ (ꯂꯚꯤꯚ)ꯒꯤ ꯐ꯭ꯔꯦꯃꯋꯥꯔꯀꯀꯤ ꯃꯅꯨꯡꯗꯥ ꯌꯥꯑꯣꯔꯤ꯫ ꯃꯍꯥꯛꯅꯥ ꯂꯦꯁꯤꯌꯥ ꯀꯨꯔꯕꯥꯁꯀꯤ ꯃꯃꯤꯡ ꯊꯣꯅꯕꯥ ꯂꯚꯤꯚ ꯑꯦꯀꯥꯗꯦꯃꯤꯛ ꯊꯤꯌꯦꯇꯔ, ꯑꯦꯝ.ꯖꯥꯅꯀꯣꯚꯦꯠꯁ꯭ꯀꯥꯒꯤ ꯃꯃꯤꯡ ꯊꯣꯅꯕꯥ ꯅꯦꯁ꯭ꯅꯦꯜ ꯑꯦꯀꯥꯗꯦꯃꯤꯛ ꯌꯨꯛꯔꯦꯅꯤꯌꯥꯟ ꯗ꯭ꯔꯃꯥ ꯊꯤꯌꯦꯇꯔ, ꯑꯉꯥꯡꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯅꯍꯥꯁꯤꯡꯒꯤ ꯑꯍꯥꯅꯕꯥ ꯌꯨꯛꯔꯦꯅꯤꯌꯥꯟ ꯊꯤꯌꯦꯇꯔ, ꯑꯥꯏ.ꯐ꯭ꯔꯥꯉ꯭ꯀꯣ (ꯀꯤꯌꯕ)ꯒꯤ ꯃꯃꯤꯡ ꯊꯣꯅꯕꯥ ꯅꯦꯁ꯭ꯅꯦꯜ ꯑꯦꯀꯥꯗꯦꯃꯤꯛ ꯊꯤꯌꯦꯇꯔꯒꯥ ꯑꯦꯛꯇꯤꯕ ꯑꯣꯏꯅꯥ ꯄꯨꯟꯅꯥ ꯊꯕꯛ ꯇꯧꯃꯤꯟꯅꯈꯤ꯫

ꯃꯍꯥꯛ ꯲꯰꯰꯸-꯲꯰꯰꯹ꯗꯥ "ꯋꯤꯛ ꯑꯣꯐ ꯀꯔꯔꯦꯟꯇ ꯑꯥꯔꯠ" ꯄ꯭ꯔꯣꯖꯦꯛꯇ (ꯂꯚꯤꯚ)ꯒꯤ ꯀ꯭ꯌꯨꯔꯦꯇꯔ ꯑꯣꯏꯈꯤ ꯑꯃꯁꯨꯡ ꯑꯍꯥꯅꯕꯥ ꯏꯟꯇꯔꯅꯦꯁ꯭ꯅꯦꯜ ꯑꯥꯔꯠ ꯐꯦꯁ꯭ꯇꯤꯕꯦꯜ "ꯐꯣꯔꯠ. ꯃꯤꯁꯤꯌꯥ" (ꯄꯣꯄꯣꯚꯤꯆꯤ ꯈꯨꯉ꯭ꯒꯪ, ꯃꯣꯁ꯭ꯇꯤꯁ꯭ꯀꯤ ꯗꯤꯁ꯭ꯠꯔꯤꯛꯇ, ꯂꯚꯤꯚ ꯔꯤꯖꯟ)ꯒꯤ ꯄꯦꯔꯥꯂꯦꯜ ꯄ꯭ꯔꯣꯒ꯭ꯔꯥꯃꯒꯤ ꯀ꯭ꯌꯨꯔꯦꯇꯔ ꯑꯣꯏꯈꯤ꯫ ꯲꯰꯰꯹ꯗꯥ ꯊꯣꯀꯈꯤ꯫

꯲꯰꯰꯹ꯗꯥ ꯃꯍꯥꯛꯅꯥ "ꯑꯦꯜ ꯲" ꯄ꯭ꯔꯣꯖꯦꯛꯇ (ꯂꯨꯕꯂꯤꯟ)ꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯄꯔꯐꯣꯃꯦꯟꯁ "ꯁꯥꯆꯤꯚꯅꯤꯠꯁꯤꯌꯥ" ꯄꯤꯈꯤ, ꯃꯁꯤꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯂꯚꯤꯕꯇꯥ ꯀꯟꯇꯦꯝꯄꯣꯔꯦꯔꯤ ꯑꯥꯔꯠ ꯋꯤꯀꯀꯤ ꯃꯅꯨꯡꯗꯥ ꯄꯤꯈꯤ꯫ "ꯗꯤꯖꯥꯏꯖꯥ"ꯗꯥ "ꯕꯥꯔꯗ ꯊꯦꯔꯥꯄꯤ" ꯒ꯭ꯔꯥꯐꯤꯛꯁ ꯏꯅꯁ꯭ꯇꯣꯜ ꯇꯧꯈꯤ꯫

ꯊꯕꯛꯁꯤꯡ[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]

ꯃꯍꯥꯛꯅ ꯇꯧꯔꯝꯕ ꯊꯕꯛꯁꯤꯡ ꯑꯗꯨꯒꯤ ꯄꯔꯤꯡ ꯄꯤꯔꯤ꯫[note ꯱][꯶]

ꯄꯔꯁꯣꯅꯦꯜ ꯄ꯭ꯔꯣꯖꯦꯛꯇꯁꯤꯡ[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]

  • ꯂꯤꯁ꯭ꯇꯤ ꯗꯣ ꯖꯦꯃꯂꯌꯥꯟ ꯑꯕꯣ ꯚꯣꯁꯃꯥ ꯄꯦꯆꯥꯠ («ꯄ꯭ꯔ꯭ꯏꯊꯤꯕꯤꯒꯤ ꯃꯤꯑꯣꯏꯁꯤꯡꯗꯥ ꯊꯥꯔꯀꯄꯥ ꯆꯤꯊꯤꯁꯤꯡ ꯅꯠꯔꯒꯥ ꯑꯍꯨꯃꯁꯨꯕꯥ ꯁꯤꯜ») (꯱꯹꯹꯳), ꯊꯣꯛꯂꯤꯕꯥ, ꯂꯚꯤꯚ ꯑꯥꯔꯠ ꯒꯦꯜꯂꯔꯤ
  • ꯅꯦꯖꯕꯥꯒ꯭ꯅꯦꯅꯥ ꯔꯨꯌꯅꯥꯠꯁꯤꯌꯥ («ꯑꯅꯐꯦꯊꯣꯃꯦꯕꯜ ꯗꯤꯁ꯭ꯠꯔꯀꯁꯟ») (꯱꯹꯹꯳), ꯑꯦꯀꯖꯤꯕꯤꯁꯟ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯂꯚꯤꯚ ꯑꯥꯔꯠ ꯒꯦꯜꯂꯔꯤ꯫
  • ꯖꯦꯔꯀꯂꯅꯤ ꯀꯣꯔꯣꯞ («ꯃꯤꯔꯔ ꯀꯥꯔꯞ») (꯱꯹꯹꯴), ꯊꯣꯛꯂꯤꯕꯥ (ꯇ꯭ꯔꯥꯟꯁꯐꯣꯔꯃꯦꯁꯟ), ꯓꯅꯦꯁꯤꯅꯤꯌꯥ ꯄꯥꯔꯛ (Lviv)
  • ꯗꯦꯟ ꯅꯥꯔꯣꯗꯖꯦꯅꯌꯥ («ꯃꯄꯣꯛ ꯅꯨꯃꯤꯠ») (꯱꯹꯹꯴), ꯊꯣꯛꯂꯤꯕꯥ, ꯗ ꯒꯅꯄꯥꯎꯗꯔ ꯇꯋꯥꯔ (ꯂꯚꯤꯚ)
  • Їzha («ꯐꯨꯗ») (꯱꯹꯹꯵), ꯄꯔꯐꯣꯔꯃꯦꯟꯁ, ꯏꯃꯥꯅꯨꯏꯜ ꯃꯥꯏꯁ꯭ꯀꯣ (ꯂꯚꯤꯚ)ꯒꯤ ꯑꯥꯔꯠ ꯁ꯭ꯇꯨꯗꯤꯑꯣ
  • Komedіya ekstazu («ꯑꯦ ꯀꯃꯦꯗꯤ ꯑꯣꯐ ꯑꯦꯛꯁꯇꯥꯁꯤ») (꯱꯹꯹꯵), ꯄꯔꯐꯣꯃꯦꯟꯁ, Dzyga Culture and Art Center (Lviv)
  • klub-kav'yarnya "Vavіlon KhKh..." («ꯀ꯭ꯂꯕ-ꯀꯦꯐꯦ "ꯕꯦꯕꯤꯂꯣꯟ XX..."») (꯱꯹꯹꯶), kitsch, ꯌꯨꯛꯔꯦꯅꯥ ꯁꯤꯅꯦꯃꯥ ꯁꯦꯟꯇꯔ (Lviv)
  • Retrospektsіya («Retrospection») (꯱꯹꯹꯶), ꯄꯔꯐꯣꯃꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (Lviv)
  • Versії napovnennya («Versions of Filling») (꯱꯹꯹꯷), ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (Lviv)
  • ꯄꯣꯚꯦꯔꯅꯦꯟꯌꯥ Іkara («ꯏꯀꯥꯔꯨꯁꯀꯤ ꯍꯜꯂꯀꯄꯥ») (꯱꯹꯹꯸), ꯑꯥꯔꯠ-ꯃꯤꯛꯁ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • ꯁꯣꯗꯦꯅꯤꯛ («ꯗꯥꯏꯔꯤ») (꯱꯹꯹꯸), ꯅꯥꯇꯂꯀꯥ ꯁꯤꯃꯤꯅꯒꯥ ꯂꯣꯌꯅꯅꯥ, ꯄꯔꯐꯣꯃꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • ꯆꯥꯁ-ꯀꯣꯟꯁꯇꯥꯟꯇꯥ꯫ Vіdeo І («ꯇꯥꯏꯝ-ꯀꯟꯁꯇꯦꯟꯇ. ꯚꯤꯗꯤꯑꯣ I») (꯱꯹꯹꯹), ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • ꯁꯦꯀꯦꯟꯗ ꯍꯦꯟꯗ (z ꯗ꯭ꯔꯒꯀꯤꯈ ꯔꯨꯛ)꯫ Vіdeo ІІ («ꯁꯦꯀꯦꯟꯗ ꯍꯦꯟꯗ. ꯚꯤꯗꯤꯑꯣ II») (꯲꯰꯰꯰), ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • ꯂꯄꯟꯟꯌꯥ ꯆꯁꯨ꯫ Vіdeo ІІІ («ꯃꯇꯝ ꯂꯧꯁꯤꯅꯕꯥ꯫ ꯚꯤꯗꯤꯑꯣ III») (꯲꯰꯰꯰), ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • Tse shche ne svoboda... («ꯃꯁꯤ ꯍꯧꯖꯤꯛ ꯐꯥꯑꯣꯕꯥ ꯐ꯭ꯔꯤꯗꯝ ꯅꯠꯇꯦ...») (꯲꯰꯰꯱), ꯂꯚꯤꯚꯀꯤ ꯂꯝꯕꯤꯁꯤꯡꯒꯤ ꯑꯥꯔꯠ-ꯄ꯭ꯔꯣꯚꯣꯀꯦꯁꯟ; ꯚꯤꯗꯤꯑꯣ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • Dzerkalny khrest («ꯃꯤꯔꯔ ꯀ꯭ꯔꯣꯁ») (꯲꯰꯰꯱), ꯑꯦꯀꯖꯤꯕꯤꯁꯟ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (Lviv)
  • І ꯇꯤ ꯕ꯭ꯔꯨꯅꯣ... («ꯑꯗꯨꯒꯥ ꯅꯍꯥꯛ, ꯕ꯭ꯔꯨꯅꯣ...») (꯲꯰꯰꯱), ꯑꯦꯀꯖꯤꯕꯤꯁꯟ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • Mekhanіchna anatomіya zvuku («ꯃꯦꯀꯥꯅꯤꯀꯦꯜ ꯑꯦꯅꯥꯇꯣꯃꯤ ꯑꯣꯐ ꯁꯥꯎꯟꯗ») (꯲꯰꯰꯲), ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ ꯑꯃꯁꯨꯡ ꯑꯣꯕꯖꯦꯛꯇ, ꯗꯤ ꯒꯅꯄꯥꯎꯗꯔ ꯇꯋꯥꯔ (ꯂꯚꯤꯚ)
  • ꯒ꯭ꯔꯥ ꯚꯤ ꯒ꯭ꯔꯨ («ꯒꯦꯝ ꯁꯥꯟꯅꯕꯥ») (꯲꯰꯰꯲), ꯄꯣꯂꯤꯒ꯭ꯔꯥꯐꯤꯛ ꯄ꯭ꯔꯣꯖꯦꯛꯇ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • Tekhnologіya chuynostі («ꯇꯦꯛꯅꯣꯂꯣꯖꯤ ꯑꯣꯐ ꯔꯦꯁ꯭ꯄꯣꯟꯁꯤꯕꯅꯦꯁ») (꯲꯰꯰꯲), ꯏꯅꯁ꯭ꯇꯣꯜ ꯇꯧꯔꯕꯥ ꯄꯦꯟꯇꯤꯡ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ) ꯑꯃꯁꯨꯡ ꯁꯦꯟꯁꯁ (ꯀꯤꯚ)
  • ꯚꯦꯁꯅꯥ ꯕꯦꯖ ꯅꯥꯖꯚꯤ («ꯃꯃꯤꯡ ꯑꯃꯥ ꯌꯥꯑꯣꯗꯕꯥ ꯁ꯭ꯞꯔꯤꯡ ꯑꯃꯥ») (꯲꯰꯰꯳), ꯑꯦꯀꯖꯤꯕꯤꯁꯟ ꯑꯃꯁꯨꯡ ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯌꯪ ꯁ꯭ꯄꯦꯛꯇꯦꯇꯔꯁ ꯊꯤꯌꯦꯇꯔ (ꯍꯧꯖꯤꯛ ꯑꯉꯥꯡꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯅꯍꯥꯁꯤꯡꯒꯤ ꯑꯍꯥꯅꯕꯥ ꯌꯨꯛꯔꯦꯅꯒꯤ ꯊꯤꯌꯦꯇꯔ) (ꯂꯚꯤꯚ)
  • U fokusі snu («ꯏꯟ ꯗꯤ ꯐꯣꯀꯁ ꯑꯣꯐ ꯗ꯭ꯔꯤꯝ») (꯲꯰꯰꯳), ꯄꯔꯐꯣꯃꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯀ꯭ꯂꯕ-ꯒꯦꯜꯂꯔꯤ ꯀꯦ-꯱꯱ (ꯀꯤꯚ)
  • Pam'yatі Dyushampa («In Memory of Duchamp») (꯲꯰꯰꯳), ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯀ꯭ꯂꯕ-ꯀꯦꯐꯦ ꯂꯤꯌꯥꯂꯀꯥ (ꯂꯚꯤꯚ)
  • Tsitati dlya gnіzd («ꯀꯣꯇꯁ ꯐꯣꯔ ꯅꯦꯁ꯭ꯇꯁ») (꯲꯰꯰꯴), ꯏꯅꯁ꯭ꯇꯣꯜ ꯇꯧꯔꯕꯥ ꯒ꯭ꯔꯥꯐꯤꯛꯁ, ꯑꯣꯕꯖꯦꯛꯇ ꯑꯃꯁꯨꯡ ꯐꯣꯇꯣꯒ꯭ꯔꯥꯐ, ꯀ꯭ꯂꯕ-ꯒꯦꯜꯂꯔꯤ ꯀꯦ-꯱꯱ (ꯀꯤꯚ); ꯲꯰꯰꯵ꯗꯥ ꯀ꯭ꯂꯕ-ꯒꯦꯜꯂꯔꯤ ꯑꯦꯂꯀꯦꯃꯤꯌꯥ (ꯀ꯭ꯔꯥꯀꯣꯚ)ꯗꯥ ꯁꯥꯟꯅꯈꯤ ꯑꯃꯁꯨꯡ ꯲꯰꯰꯶ꯇꯥ ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)ꯗꯥ ꯁꯥꯟꯅꯈꯤ꯫
  • Padіnnya polyotu («Falling of a Flight») (꯲꯰꯰꯴), ꯄꯔꯐꯣꯃꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯚꯤꯗꯤꯑꯣ ꯑꯥꯔꯠ, ꯑꯍꯥꯅꯕꯥ ꯁꯔꯨꯛ Stryiskyi Park (Lviv), ꯒꯦꯜꯂꯔꯤꯗꯥ ꯑꯅꯤꯁꯨꯕꯥ ꯁꯔꯨꯛ L-art (ꯀꯤꯌꯤꯚ) ꯑꯃꯁꯨꯡ ꯑꯦꯟ. ꯲꯰꯰꯵ꯗꯥ ꯀ꯭ꯔꯥꯀꯣꯕꯗꯥ ꯁꯥꯟꯅꯈꯤ꯫
  • Utilіzatsіya nostalgії («ꯅꯣꯁ꯭ꯇꯦꯂꯖꯤꯌꯥ ꯁꯤꯖꯤꯟꯅꯕꯥ») (꯲꯰꯰꯵–꯲꯰꯰꯶), ꯀꯦꯐꯦ Pіd klepsidroiu (Lviv)ꯗꯥ ꯄꯦꯟꯇꯤꯡ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ ꯏꯅꯁ꯭ꯇꯣꯜ ꯇꯧꯈꯤ꯫
  • ꯀꯥꯔꯄꯥꯇꯣꯔꯣꯖꯗꯤꯜ («ꯀꯥꯔꯄꯥꯊꯤꯌꯥꯟ ꯗꯤꯚꯥꯏꯗ») (꯲꯰꯰꯷), ꯏꯅꯁ꯭ꯇꯣꯜ ꯇꯧꯔꯕꯥ ꯄꯦꯟꯇꯤꯡ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • ꯄꯣꯕꯨꯇꯣꯚꯥ ꯑꯦꯛꯁꯀꯨꯔꯁіꯌꯥ («ꯑꯦꯚꯔꯤꯗꯦ ꯑꯦꯛꯁꯀꯔꯁꯤꯑꯣ») (꯲꯰꯰꯸), ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯑꯥꯔꯠ-ꯗꯦꯄꯣ ꯄ꯭ꯔꯣꯖꯦꯛꯇꯀꯤ ꯁꯔꯨꯛ ꯑꯃꯥ (ꯂꯚꯤꯚ)
  • ꯁ꯭ꯕ꯭ꯌꯥꯁꯆꯦꯟꯅꯥ ꯄꯣꯂꯇꯚꯥ («ꯍꯣꯂꯤ ꯄꯣꯜꯇꯚꯥ») (꯲꯰꯰꯸), ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯑꯥꯔꯠ-ꯗꯦꯄꯣ ꯄ꯭ꯔꯣꯖꯦꯛꯇꯀꯤ ꯁꯔꯨꯛ ꯑꯃꯥ (ꯂꯚꯤꯚ)
  • Deklaratsіya porozhnechі («A Declaration of Emptiness») (꯲꯰꯰꯸), ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯒꯣꯒꯣꯂꯐꯦꯁ꯭ꯠ ꯀꯨꯝꯃꯩꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯥ (ꯀꯤꯚ)
  • Vistava v godinniku («A Spectacle in the Clock») (2008), Drohobych ꯗꯥ ꯂꯩꯕꯥ ꯁꯤꯇꯤ ꯍꯣꯜ ꯕꯤꯜꯗꯤꯡꯒꯤ ꯀ꯭ꯂꯣꯛ ꯃꯦꯀꯥꯅꯤꯖꯃꯒꯤ ꯃꯅꯨꯡꯗꯥ ꯄꯔꯐꯣꯃꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯚꯤꯗꯤꯑꯣ ꯑꯥꯔꯠ, ꯳ꯁꯨꯕꯥ ꯏꯟꯇꯔꯅꯦꯁ꯭ꯅꯦꯜ ꯕ꯭ꯔꯨꯅꯣ ꯁꯨꯂꯖ ꯐꯦꯁ꯭ꯇꯤꯕꯦꯂꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ꯫
  • ꯕꯤ. ꯑꯦꯟ. (꯲꯰꯰꯸), ꯄꯔꯐꯣꯃꯦꯟꯁ ꯑꯃꯁꯨꯡ ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯋꯤꯛ ꯑꯣꯐ ꯀꯟꯇꯦꯝꯄꯣꯔꯦꯔꯤ ꯑꯥꯔꯠ (ꯂꯚꯤꯚ)[꯷]
  • Shakhіvnitsya («Chessboard») (2009), ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯄ꯭ꯔꯣꯖꯦꯛꯇ L2 (ꯂꯨꯕꯂꯤꯟ) ꯑꯃꯁꯨꯡ ꯋꯤꯛ ꯑꯣꯐ ꯀꯟꯇꯦꯝꯄꯣꯔꯦꯔꯤ ꯑꯥꯔꯠ (Lviv)ꯒꯤ ꯁꯔꯨꯛ ꯑꯃꯥ
  • ꯄ꯭ꯇꯥꯈꯣꯇꯦꯔꯥꯄꯤꯌꯥ («ꯄꯥꯈꯪ-ꯈꯣꯡꯊꯥꯡ») (꯲꯰꯰꯹), ꯏꯅꯁ꯭ꯇꯣꯜ ꯇꯧꯔꯕꯥ ꯒ꯭ꯔꯥꯐꯤꯛꯁ, ꯖꯤꯒꯥ ꯀꯂꯆꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯔꯠ ꯁꯦꯟꯇꯔ (ꯂꯚꯤꯚ)
  • ꯆꯥꯁ ꯔꯤꯕꯤ («ꯉꯥꯒꯤ ꯃꯇꯝ») (꯲꯰꯱꯰), ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯐꯦꯁ꯭ꯇꯤꯕꯦꯜ ꯁꯨꯂꯇꯁꯐꯦꯁ꯭ꯠ-꯲꯰꯱꯰ (ꯗ꯭ꯔꯣꯍꯣꯕꯤꯆ)
  • ꯁ꯭ꯞꯔꯣꯕꯥ ꯄꯦꯔꯦꯗꯆꯨꯠꯇꯤꯌꯥ («ꯄ꯭ꯔꯤꯃꯣꯅꯤꯁꯅꯒꯤ ꯍꯣꯠꯅꯕꯥ ꯑꯃꯥ») (꯲꯰꯱꯰), ꯏꯅꯁ꯭ꯇꯣꯂꯦꯁꯟ, ꯑꯍꯥꯅꯕꯥ ꯏꯟꯇꯔꯅꯦꯁ꯭ꯅꯦꯜ ꯑꯥꯔꯠ ꯐꯦꯁ꯭ꯇꯤꯕꯦꯜ ꯐꯣꯔꯠ. ꯃꯤꯁꯤꯌꯥ (ꯄꯣꯄꯣꯚꯤꯆꯤ, ꯃꯣꯁ꯭ꯇꯤꯁ꯭ꯀꯥ ꯔꯥꯏꯑꯣꯟ, ꯂꯚꯤꯚ ꯑꯣꯕ꯭ꯂꯥꯁ꯭ꯠ)
  • ꯕꯤ. ꯑꯦꯟ. (꯲꯰꯱꯰), ꯄꯔꯐꯣꯃꯦꯟꯁ, ꯋꯤꯛ ꯑꯣꯐ ꯀꯟꯇꯦꯝꯄꯣꯔꯦꯔꯤ ꯑꯥꯔꯠ (ꯂꯚꯤꯚ)

ꯃꯁꯤꯁꯨ ꯌꯦꯡꯕꯤꯌꯨ[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]

ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]

  1. grant.uart.eu. Archived from the original on 2022-03-05 ꯫ Retrieved on 2023-03-31
  2. В. К. Кауфман Володимир // Encyclopedia of Lviv / За редакцією А. Козицького. — Львів : Літопис, 2010. — Т. 3. — С. 161—163. — ISBN 978-966-7007-99-7.
  3. Golden Fund of Ukrainian Variety
  4. PERFORMANCE symposium 2020.
  5. Листи до землян Влодка Кауфмана (in uk).
  6. Marusiy, Anastasiia (2019-10-29). Vlodko (Volodymyr) Kaufmann. Retrieved on 2023-03-28
  7. Cite ꯑꯔꯥꯟꯕ: Invalid <ref> tag; no text was provided for refs named ꯑꯦꯅꯁꯤꯛꯂꯣꯄꯤꯗꯤꯌꯥ


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