ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯋꯔ

ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯋꯔ ꯍꯥꯏꯕꯁꯤ ꯍꯤꯟꯗꯨꯒꯤ ꯁꯤꯚ ꯑꯃꯗꯤ ꯄꯥꯔꯕꯇꯤ ꯑꯅꯤꯒꯤ ꯌꯥꯟꯅꯕ ꯁꯛꯂꯣꯟꯅꯤ ꯫

ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯕꯔ ꯑꯁꯤ ꯍꯤꯟꯗꯨ ꯊꯥꯖꯕꯗꯥ ꯇꯣꯞ ꯇꯣꯞꯄꯥ ꯑꯃꯁꯨꯡ ꯁꯛꯇꯤ ꯂꯩꯕꯥ ꯃꯑꯣꯡ ꯑꯃꯅꯤ ꯃꯁꯤꯅꯥ ꯍꯀꯆꯥꯡ ꯑꯃꯗꯥ ꯅꯨꯄꯥ ꯑꯃꯁꯨꯡ ꯅꯨꯄꯤꯒꯤ ꯏꯅꯔꯖꯤꯒꯤ ꯑꯄꯨꯅꯕꯥ ꯑꯗꯨ ꯎꯠꯂꯤ꯫ ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯕꯔ ꯍꯥꯌꯕꯥ ꯋꯥꯍꯩ ꯑꯁꯤ ꯁꯪꯁ꯭ꯀ꯭ꯔ꯭ꯏꯠ ꯋꯥꯍꯩ ꯑꯍꯨꯃꯗꯒꯤ ꯂꯥꯀꯄꯅꯤ: “ꯑꯔꯙ” ꯍꯥꯌꯕꯁꯤꯅꯥ ꯇꯉꯈꯥꯏ ꯑꯃꯥ ꯍꯥꯌꯕꯅꯤ, “ꯅꯥꯔꯤ” ꯍꯥꯌꯕꯁꯤꯅꯥ ꯅꯨꯄꯤ ꯍꯥꯌꯕꯅꯤ, ꯑꯃꯁꯨꯡ “ꯏꯁ꯭ꯕꯔ” ꯍꯥꯌꯕꯁꯤꯅꯥ ꯏꯁ꯭ꯕꯔ ꯍꯥꯌꯕꯅꯤ꯫ ꯑꯗꯨꯅꯥ, ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯕꯔ ꯍꯥꯌꯕꯁꯤ “ꯑꯍꯥꯡꯕꯥ ꯅꯨꯄꯤ ꯑꯣꯏꯕꯥ ꯏꯁ꯭ꯕꯔ” ꯍꯥꯌꯕꯅꯤ꯫ ꯃꯁꯤꯒꯤ ꯃꯑꯣꯡ ꯑꯁꯤꯗꯥ ꯍꯀꯆꯥꯡꯒꯤ ꯑꯔꯣꯏꯕꯥ ꯁꯔꯨꯛ ꯑꯁꯤ ꯃꯍꯧꯁꯥꯅꯥ ꯁꯤꯕ ꯍꯥꯌꯅꯥ ꯎꯠꯂꯤ, ꯑꯃꯁꯨꯡ ꯑꯋꯥꯡ ꯊꯪꯕꯥ ꯁꯔꯨꯛ ꯑꯁꯤ ꯄꯥꯔꯕꯇꯤ ꯍꯥꯌꯅꯥ ꯎꯠꯂꯤ꯫ ꯃꯁꯤꯒꯤ ꯏꯃꯦꯖ ꯑꯁꯤꯅꯥ ꯅꯨꯄꯥ ꯑꯃꯁꯨꯡ ꯅꯨꯄꯤꯒꯤ ꯐꯣꯔꯁ ꯑꯅꯤꯃꯛ ꯆꯞ ꯃꯥꯟꯅꯩ ꯑꯃꯁꯨꯡ ꯇꯣꯉꯥꯟꯅꯥ ꯊꯝꯕꯥ ꯌꯥꯔꯣꯏ ꯍꯥꯌꯕꯒꯤ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯋꯥꯈꯜꯂꯣꯟ ꯑꯃꯥ ꯇꯝꯕꯤꯔꯤ꯫ ꯃꯁꯤꯅꯥ ꯑꯩꯈꯣꯌꯗꯥ ꯍꯥꯌꯔꯤ ꯃꯗꯨꯗꯤ ꯃꯥꯂꯦꯝ ꯑꯁꯤ ꯏꯅꯔꯖꯤ ꯑꯅꯤꯃꯛ ꯄꯨꯟꯅꯥ ꯊꯕꯛ ꯇꯧꯃꯤꯟꯅꯔꯀꯄꯥ ꯃꯇꯃꯗꯥ ꯕꯦꯂꯦꯟꯁ ꯑꯣꯏ꯫ ꯁꯤꯕꯀꯤ ꯃꯥꯏꯀꯩꯗꯥ ꯄꯥꯉ꯭ꯒꯜ, ꯂꯣꯖꯤꯛ, ꯑꯃꯁꯨꯡ ꯇꯪꯗꯨ ꯂꯩꯇꯥꯕꯥ ꯎꯠꯂꯤ, ꯑꯗꯨꯒꯥ ꯄꯥꯔꯕꯇꯤꯒꯤ ꯃꯥꯏꯀꯩꯗꯥ ꯅꯨꯡꯁꯤꯕꯥ, ꯌꯦꯡꯁꯤꯅꯕꯥ, ꯐꯖꯕꯥ, ꯑꯃꯁꯨꯡ ꯀ꯭ꯔꯤꯌꯦꯇꯤꯕꯤꯇꯤ ꯎꯠꯂꯤ꯫ ꯃꯈꯣꯌ ꯄꯨꯟꯅꯥ ꯃꯄꯨꯡ ꯐꯥꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯄꯨꯡ ꯐꯥꯕꯥ ꯑꯄꯨꯅꯕꯥ ꯑꯃꯥ ꯁꯦꯝꯃꯤ꯫ ꯃꯁꯤꯒꯤ ꯋꯥꯈꯜꯂꯣꯟ ꯑꯁꯤꯅꯥ ꯃꯤꯑꯣꯏ ꯈꯨꯗꯤꯡꯃꯛꯀꯤ ꯃꯅꯨꯡꯗꯥ ꯅꯨꯄꯥ ꯑꯃꯁꯨꯡ ꯅꯨꯄꯤ ꯑꯅꯤꯃꯛꯀꯤ ꯃꯒꯨꯟ ꯂꯩ ꯍꯥꯌꯕꯁꯤꯁꯨ ꯈꯉꯍꯜꯂꯤ, ꯑꯃꯁꯨꯡ ꯑꯩꯈꯣꯌꯅꯥ ꯅꯥꯀꯜ ꯑꯅꯤꯃꯛ ꯏꯀꯥꯌꯈꯨꯝꯅꯕꯥ ꯑꯃꯁꯨꯡ ꯌꯥꯕꯥ ꯇꯥꯏ꯫ ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯕꯔ ꯑꯁꯤ ꯍꯀꯆꯥꯡꯒꯤ ꯃꯑꯣꯡ ꯈꯛꯇꯒꯤ ꯅꯠꯇꯦ, ꯊꯋꯥꯌꯒꯤ ꯑꯣꯏꯕꯥ ꯑꯔꯊꯁꯨꯅꯤ꯫ ꯃꯁꯤꯅꯥ ꯃꯤꯁꯤꯡꯗꯥ ꯅꯤꯡꯁꯤꯡꯍꯜꯂꯤ ꯃꯗꯨꯗꯤ ꯄꯨꯟꯁꯤ ꯑꯁꯤ ꯕꯦꯂꯦꯟꯁꯀꯤ ꯃꯇꯥꯡꯗꯥ ꯑꯣꯏꯔꯤ- ꯊꯕꯛ ꯑꯃꯁꯨꯡ ꯏꯃꯣꯁꯟ, ꯁꯛꯇꯤ ꯑꯃꯁꯨꯡ ꯃꯤꯅꯨꯡꯁꯤ, ꯑꯃꯁꯨꯡ ꯋꯥꯈꯜ ꯑꯃꯁꯨꯡ ꯊꯝꯃꯣꯌꯒꯤ ꯃꯔꯛꯇꯥ꯫ ꯚꯥꯔꯇꯀꯤ ꯂꯥꯏꯁꯉ ꯀꯌꯥ ꯑꯃꯁꯨꯡ ꯀꯂꯥꯒꯤ ꯊꯕꯛ ꯀꯌꯥꯗꯥ ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯕꯔ ꯑꯁꯤ ꯇꯉ꯭ꯈꯥꯏ ꯑꯃꯃꯃꯗꯥ ꯇꯣꯉꯥꯟ ꯇꯣꯉꯥꯅꯕꯥ ꯄꯣꯠꯆꯩꯁꯤꯡ, ꯑꯔꯅꯥꯃꯦꯟꯇꯁꯤꯡ, ꯑꯃꯁꯨꯡ ꯁꯤꯝꯕꯣꯂꯁꯤꯡꯒꯥ ꯂꯣꯌꯅꯅꯥ ꯃꯇꯝ ꯑꯃꯗꯥ ꯈꯦꯟꯅꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯄꯨꯅꯕꯥ ꯑꯗꯨ ꯃꯌꯦꯛ ꯁꯦꯡꯅꯥ ꯎꯠꯅꯕꯥ ꯎꯠꯂꯤ꯫ ꯈꯨꯗꯝ ꯑꯣꯏꯅꯥ, ꯁꯤꯕꯀꯤ ꯃꯅꯥꯛꯇꯥ ꯏꯆꯝ ꯆꯝꯕꯥ ꯄꯣꯠꯂꯃꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯇ꯭ꯔꯤꯗꯦꯟꯇ ꯑꯃꯥ ꯂꯩꯕꯥ ꯌꯥꯏ, ꯑꯗꯨꯒꯥ ꯄꯥꯔꯕꯇꯤꯒꯤ ꯃꯅꯥꯛꯇꯥ ꯖꯨꯋꯦꯂꯔꯤ ꯑꯃꯁꯨꯡ ꯃꯤꯔꯔ ꯅꯠꯠꯔꯒꯥ ꯄꯗ꯭ꯝ ꯑꯃꯥ ꯂꯩꯕꯥ ꯌꯥꯏ꯫ ꯃꯁꯤꯒꯤ ꯃꯑꯣꯡ ꯑꯁꯤꯅꯥ ꯅꯨꯄꯤꯁꯤꯡꯕꯨ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯕꯥ ꯎꯠꯄꯁꯨ ꯇꯥꯀꯏ ꯑꯃꯁꯨꯡ ꯅꯨꯄꯤꯁꯤꯡ ꯑꯁꯤ ꯅꯨꯄꯥꯁꯤꯡꯒꯨꯝꯅꯥ ꯃꯔꯨꯑꯣꯏꯕꯥ ꯑꯃꯁꯨꯡ ꯁꯛꯇꯤ ꯂꯩꯕꯥ ꯃꯤꯑꯣꯏꯁꯤꯡꯅꯤ ꯍꯥꯌꯕꯥ ꯎꯠꯂꯤ꯫ ꯃꯁꯤ ꯖꯦꯟꯗꯔ ꯑꯃꯅꯥ ꯑꯇꯣꯞꯄꯥ ꯖꯦꯟꯗꯔ ꯑꯃꯗꯒꯤ ꯍꯦꯟꯅꯥ ꯃꯄꯥꯉ꯭ꯒꯜ ꯂꯩ ꯍꯥꯌꯕꯥ ꯋꯥꯈꯜꯂꯣꯟ ꯑꯗꯨꯒꯥ ꯃꯥꯟꯅꯗꯦ꯫ ꯃꯃꯥꯡꯉꯩꯒꯤ ꯃꯇꯃꯗꯥ ꯃꯁꯤꯒꯤ ꯋꯥꯈꯜꯂꯣꯟ ꯑꯁꯤꯅꯥ ꯃꯤꯌꯥꯃꯗꯥ ꯏꯆꯝ ꯆꯝꯕꯥ ꯑꯃꯁꯨꯡ ꯑꯔꯊ ꯂꯩꯕꯥ ꯃꯑꯣꯡꯗꯥ ꯃꯥꯟꯅꯕꯥ ꯑꯁꯤ ꯈꯉꯕꯗꯥ ꯃꯇꯦꯡ ꯄꯥꯡꯂꯝꯃꯤ꯫ ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯕꯔ ꯑꯁꯤꯁꯨ ꯁꯦꯝꯕꯤꯕꯥ ꯃꯄꯨꯒꯥ ꯃꯔꯤ ꯂꯩꯅꯩ, ꯃꯔꯃꯗꯤ ꯄꯨꯟꯁꯤ ꯄꯨꯝꯅꯃꯛ ꯅꯨꯄꯥ ꯑꯃꯁꯨꯡ ꯅꯨꯄꯤꯒꯤ ꯏꯅꯔꯖꯤꯒꯤ ꯌꯨꯅꯤꯌꯟ ꯑꯁꯤꯗꯒꯤ ꯂꯥꯀꯏ ꯍꯥꯌꯅꯥ ꯊꯥꯖꯅꯩ꯫ ꯌꯨꯅꯤꯌꯟ ꯑꯁꯤ ꯌꯥꯑꯣꯗꯅꯥ ꯀꯔꯤꯒꯨꯝꯕꯥ ꯑꯃꯠꯇꯥ ꯂꯩꯕꯥ ꯉꯝꯂꯣꯏ꯫ ꯍꯤꯟꯗꯨ ꯂꯥꯏꯔꯤꯀꯁꯤꯡꯗꯥ ꯋꯥꯔꯤ ꯀꯌꯥꯅꯥ ꯃꯇꯧ ꯀꯔꯝꯅꯥ ꯁꯤꯕ ꯑꯃꯁꯨꯡ ꯄꯥꯔꯕꯇꯤꯅꯥ ꯃꯈꯣꯌꯒꯤ ꯑꯆꯦꯠꯄꯥ ꯅꯨꯡꯁꯤꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯔꯤ ꯑꯗꯨ ꯎꯠꯅꯕꯥ ꯍꯀꯆꯥꯡ ꯑꯃꯥ ꯑꯣꯏꯔꯀꯈꯤꯕꯒꯦ ꯍꯥꯌꯕꯗꯨ ꯐꯣꯡꯗꯣꯛꯂꯤ꯫ ꯃꯁꯤꯒꯤ ꯃꯑꯣꯡ ꯑꯁꯤ ꯇꯣꯞ ꯇꯣꯞꯄꯥ ꯑꯃꯠꯇꯥ ꯑꯣꯏꯕꯒꯤ ꯃꯁꯛ ꯑꯃꯁꯨ ꯑꯣꯏꯔꯤ, ꯃꯁꯤꯅꯥ ꯇꯥꯀꯄꯗꯤ ꯇꯣꯉꯥꯟ ꯇꯣꯉꯥꯅꯕꯥ ꯄꯣꯠꯁꯤꯡ ꯄꯨꯟꯅꯥ ꯂꯥꯛꯇꯨꯅꯥ ꯐꯖꯕꯥ ꯑꯃꯁꯨꯡ ꯃꯄꯨꯡ ꯐꯥꯕꯥ ꯄꯣꯠꯁꯛ ꯑꯃꯥ ꯁꯦꯝꯕꯥ ꯌꯥꯏ꯫ ꯉꯁꯤꯁꯨ ꯑꯔꯙꯅꯥꯔꯤꯁ꯭ꯕꯔꯅꯥ ꯃꯤꯌꯥꯝꯕꯨ ꯕꯦꯂꯦꯟꯁꯇꯥ ꯍꯤꯡꯅꯕꯥ, ꯑꯇꯣꯞꯄꯕꯨ ꯏꯀꯥꯌ ꯈꯨꯝꯅꯕꯥ ꯎꯠꯄꯥ, ꯑꯃꯁꯨꯡ ꯈꯦꯟꯅꯕꯥ ꯑꯁꯤ ꯑꯋꯥꯠꯄꯥ ꯅꯠꯇꯦ ꯑꯗꯨꯕꯨ ꯄꯥꯉ꯭ꯒꯜꯅꯤ ꯍꯥꯌꯕꯥ ꯈꯉꯍꯜꯂꯤ꯫ ꯃꯁꯤꯅꯥ ꯇꯥꯀꯄꯤꯔꯤ ꯃꯗꯨꯗꯤ ꯑꯆꯨꯝꯕꯥ ꯁꯛꯇꯤ ꯑꯁꯤ ꯑꯃꯠꯇꯥ ꯑꯣꯏꯕꯥ ꯑꯃꯁꯨꯡ ꯅꯨꯡꯁꯤꯅꯅꯥ ꯂꯩꯃꯤꯟꯅꯕꯗꯒꯤ ꯂꯥꯀꯏ, ꯌꯦꯠꯅꯕꯗꯒꯤ ꯂꯥꯀꯏ꯫^[꯱]^[꯲]^[꯳]^[꯴]

ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ

↑ Collins, Charles Dillard (1988). The iconography and ritual of Śiva at Elephanta. SUNY Press. ISBN 0-88706-773-5.
↑ Chakravarti, Mahadev (1986). The concept of Rudra-Śiva through the ages. Motilal Banarsidass Publ. ISBN 81-208-0053-2.
↑ Daniélou, Alain (1992). Gods of love and ecstasy: the traditions of Shiva and Dionysus. Inner Traditions International. ISBN 0-89281-374-1.
↑ Dehejia, Harsha V. (1997). Pārvatīdarpaṇa: an exposition of Kāśmir Śaivism through the images of Śiva and Parvati. Motilal Banarsidass Publ. ISBN 81-208-1484-3.

[1] Collins, Charles Dillard (1988). The iconography and ritual of Śiva at Elephanta. SUNY Press. ISBN 0-88706-773-5.

[2] Chakravarti, Mahadev (1986). The concept of Rudra-Śiva through the ages. Motilal Banarsidass Publ. ISBN 81-208-0053-2.

[3] Daniélou, Alain (1992). Gods of love and ecstasy: the traditions of Shiva and Dionysus. Inner Traditions International. ISBN 0-89281-374-1.

[4] Dehejia, Harsha V. (1997). Pārvatīdarpaṇa: an exposition of Kāśmir Śaivism through the images of Śiva and Parvati. Motilal Banarsidass Publ. ISBN 81-208-1484-3.

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